He is very angry and sentences Antigone to death. Ismene asks to be executed along with her sister. But Antigone doesn't want her by her side. She insists that she alone buried the brother, so she alone will receive punishment and possible reward from the gods. As if things weren't complicated enough, Antigone has a boyfriend: Haemon, the son of Creon.
The morning after Horatio and the guardsmen see the ghost, the both intelligent and well-spoken King, Claudius, gives a speech to his courtiers, explaining his recent marriage to Gertrude - his brother’s widow and the mother of Prince Hamlet. Claudius exclaims that of course he mourns over his brother but has chosen to balance Denmark’s mourning with the delight of his marriage! Claudius is immediately portrayed to be relatively controlling over his Kingdom as he opens his speech to the council saying that everyone should mourn his brother’s death “in one brow of woe”, although to keep it under control with “wisest sorrow”. This also withdraws him somewhat into a cold light as natural emotions have to be withheld, possibly for his benefit in deceiving his own conscience. He uses positive language to make his recent marriage to Gertrude, his brother’s widow, sound perfectly normal through balancing “woe” with “joy.” To purify and justify his incestuous motive, Claudius believes his council, “through better wisdoms”, have accepted his “affair” all along.
After Romeo soon learns about his banishment, he is told by Friar Laurence to go visit Juliet one last time; he responds by saying “It were a grief so brief to part with thee. Farewell.” (3.3.192-193). Thoughtless and stubborn, even though his “undying love” for Juliet affects him, Romeo does not realize that going to Juliet’s house can lead to dire consequences. To avoid these consequences, he could have left Verona immediately. During a tremendous argument between Juliet and her mother, Lady Capulet claims that Juliet must marry Paris, an innocent, charming man who wants to marry her, but she refuses and shouts, “ He shall not make me there a joyful bride…I will not marry yet; and when I do, I swear it shall be Romeo” (3.5.132-137).
God manipulates Capulet demands Tybalt to obey his will and leave Romeo alone. “Therefore be patient, take no note of him/ It is my will, the which of thou respect.” (Act 1 sc 5 ll 70-71) God manipulates this occasion to ensure Romeo and Juliet meet and fall in love with each other. Providence manipulates Romeo to leap over the orchard wall and proclaim his love for Juliet. “It is my lady, O it is my love.” (Act 1 sc 2 ll 10) Providence manipulates circumstances to ensure the lovers meet under Juliet’s balcony, thus, quickening their proclamation of love. Romeo and Juliet are now steered towards their path of becoming scapegoats as they enter into the sacrament of marriage.
There is Amleth/Hamlet’s dead father, the brother who killed his father and becomes king, the mother who married Amleth/Hamlet’s uncle. There is also the plan to kill his uncle, and the murder of the person behind the curtain in his mother’s bedroom. Also his uncle, now the king, also decides to send Amleth/Hamlet to England, so the King of England will kill him. The king sends two servants to accompany Amleth/Hamlet to England, but they both know the intentions of the trip, but Amleth/Hamlet end up eventually, with much plotting, having both the servants killed. And the last similarity, though not in exact description, is Amleth/Hamlet killing his uncle, the king.
At the contest after he strings his bow, he, Telemachus, and some loyal servants kill all the suitors. After all the suitors are dead the beggar reveals himself as Odyessus, and is reunited with Penelope. He still had unfinished business with going to see his father, Laertes. While he is there they are attacked by the suitors family, they are seeking revenge for the death of their children (the Suitors). Laertes, kills the Antinous, and this stops the
Electra fights with her mother, Clytemnestra, and her mother’s lover, Aegisthus, because she feels betrayed by them as they killed her father. When Electra and Orestes are finally reunited, they plot against their fathers killers, and finally kill them. The play has several themes, such as vengeance and deception which are extenuated by the heightened realism style of the play. In Electra’s introductory speech, I would emphasises her agony of her father’s death, as this is the main reason the character is vengeful. To fit with the heightened realism of the play, I would exaggerate the mental pain that the character is going through by associating some lines with physical pain, such as ‘But my mother, and her bed mate Aegisthus, Split open his head with a murderous axe’.
Soon, he befriends another slave and the oracle takes notice in him from a vision she has by touching him. She decides to escape with Theseus and a few slaves determined to kill Hyperion. Another of the Oracle's visions tell her that Theseus needs to bury his mother, and when he does, he finds the Epirus Bow, but is attacked and poisoned by Hyperion soldiers . After defeating them, the oracle cures him and has sex losing her visions powers. They return to the oracle temple and find it filled with enemies who capture the Bow.
Creon then condemns both Antigone and Ismene to death. He changes his mind about Ismene, but locks Antigone away in a stone vault. Later, after the blind prophet Teiresias predicts doom for the king, Creon decides to free Antigone, only to find that she has committed suicide. Antigone's death leads to the suicide of Creon's son, Haemon, who was going to marry her, and then finally to the suicide of Creon's wife, Eurydice. In the end of this great tragedy, Creon is left in distress and great sorrow.
In a remote village in France, Balian (Orlando Bloom), a blacksmith, is haunted by his wife's (Nathalie Cox) recent suicide. A group of Crusaders arrive at the small village and one of them approaches Balian, introducing himself as his father, Baron Godfrey of Ibelin (Liam Neeson). Godfrey, asks Balian to return with him to Jerusalem. Balian refuses and the Crusaders leave. Afterwards, the town priest (Michael Sheen), Balian's younger brother, reveals that he had ordered Balian's wife beheaded before burial (a customary practice in those times for people who committed suicide).