The prenatal Cash was a part of her, someone inside of her from whom she could never isolate herself. In the reluctant mother’s mind, Anse Bundren was to blame for corrupting her sense of privacy and would be forever dead to her. In this way, she severed what was supposed to be the most sovereign relationship in a woman’s life and created a rift through what was to come of the Bundren family. As the family grows, Addie develops misconceptions about her relationship to her children. Cash had violated her aloneness, while Darl was deprived of the love that Addie poured so strongly into the void that was her third son.
But at the end of the day I feel sorry for her and I tend to understand why she feels the way she dose! You can’t blame the girl, for feeling depressed, she lives on a ranch where she is the only girl, her husband sees her as an object that he owns and she has no one to turn or talk to. In the book most of the characters have a negative view of her and tend to see her as trouble, but when you think about it she has the potential to get them in a lot of trouble, and she does, she cause Curley to have a broken hand and she gets Lennie in trouble for killing her, Every time, she is present in the book, she is never in a positive mood, she is always sulking or looking for Curley, I don`t actually think that there is one time in the book were she seems happy and it is when she is flirting , and even then she just gets negative reactions back! To summaries , overall i think that she is a very negative person, who has no hope of
Evelyn accuses Lil as being The Ratcatcher: “You made me betray her.” To which Lil responds “I got you through it.” This shows just how untrustworthy Evelyn is of other people because of her past, being sent away by her parents and was left to ultimately believe that they had forgotten about her. This paragraph and the last shows that however close Evelyn is to people, she will always have this issue with trusting people, and it is likely that her subconscious mind believes that everyone she comes close to has taken her away from something – freedom. This links to The Ratcatcher’s significance, as he is constantly taking away children’s freedom, and throughout the play Samuels presents this character via Evelyn constantly. In scene one, an authority figure, the Officer, is the voice of The Ratcatcher, and I believe that in this particular moment of the play the Officer isn’t the only Ratcatcher. The train itself is taking Eva away, so here The Ratcatcher is presented as both this intimidating man and an object, not living.
Kyle, David, and Cass have all been damaged by the words of their parents. Kyle and David’s mother has always been unsatisfied with her life and views her children as the opportunity to have success that she missed out on. Cass McBride lives with her father, the ultimate sales man, and has cut her mother totally off. She realizes, as children do, the love of one parent is conditional. She had to stay with her father in order to preserve their relationship.
This is not what one would expect to exist between a man and his wife. Iago uses Emilia as his puppet; he mocks and disrespects her. He appears to not care much about her well being. This is seen in the lack of affection he shows to his wife. Iago seems as though he does not have the ability to love anything or anyone.
"She'd brooded on her loss, misery had brewed/ In her heart, that female horror, Grendel's/ Mother, slain his father's son/ With an angry sword. " First this quote refers to Grendel's mother and how the loss of her son impacted her. The physical description of both Grendel and his mother represent them as monstrous looking, tempting to ignore that they're very real emotions. Grendel's mother has been cast away from humanity, but also that she didn't do anything to precipitate this. The poet remains reader of how understandable Grendel's mother's response is.
It’s not easy for Connie to live with her mother, who constantly harps on the way Connie looks and how she doesn’t live up to her sister reputation. “If Connie’s name was mentioned it was in a disapproving tone.”[453]. Every time Connie’s mother comments anything about June’s profile, it pushed Connie unconsciously to be nothing like her sister. Mother usually complained about her about habit of looking into a mirror. The narrator states the mother’s resentment of Connie’s beauty because “her looks were gone and that was why she was always after Connie.”[451].
However, their communication skills differ significantly. While Winfrey values empowerment, education and family, Springer ironically promotes immorality, foul language and the breakdown of the family structure. Oprah Winfrey, daughter of a domestic helper and a barber, was born into poverty and suffered many hardships. The harsh realities she encountered included being raped at age nine, becoming pregnant at age fourteen, and being unable to bear children thereafter. Even though she faced these realities, she did not allow that to stop her.
Sister feels that everyone in her family is out to make her life miserable: “first thing Stella-Rondo did...was turn Papa-Daddy” (1036). This inability to deal with even simple problems shows the clear immaturity and dysfunctionality within this family, culminating in Sister’s departure from the household. Welty draws the reader’s attention to these immature responses, and in doing so, contrasts the relatively normal domestic life of millions of Americans to an almost universally opposite situation. This contrast creates a very interesting atmosphere for the reader, and furthers the understanding of the divide caused within a family by a lack
Mary’s step - sister Jane Clairemont was addition to this coupling. Mary believed that she was “ the bane of my existence.” Mary spent her life in combat with Claire who was a nuisance in her life. Mary Shelley grew up in an atmosphere sensitive to the four qualities of life ahead of its time. These included free love, liberty, equality, and fraternity. Mary Shelly was hurt by her father’s disapproval.