A Comparative Analysis of ‘Heart of Darkness’ and ‘Things Fall Apart’: the Presentation of Africa.

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The presentation of Africa in Heart of Darkness is through the eyes of a colonising European and starts off by depicting them as savages. According to Chinua Achebe this mode of illustration never ceases and continues till the end and is thus proof of the work of a ‘thoroughgoing racist.’ He suggests that heart of darkness forwards the image of Africa as ‘the other world.’ He suggests that it forwards too, an image of Africa as a place of unrestrained savagery and bestiality. An example of this: ‘going up the river Congo was like travelling back to the earliest beginning of the world.’ A sense of the primordial, the aged, the animalistic rests in these lines. And as Achebe’s essay continues, he talks of the portrayal by Conrad of Africa as an ‘inscrutable’ and ‘mysterious’ place and the realisation of a kinship between the coloniser and the colonised being in fact a horrific realisation, one that signals towards a realisation of inner savagery and ugliness. He criticises Conrad for depicting the African’s as merely ‘limbs or rolling eyes’ and devoid even of a proper language, communicating thereby through grunts, slurs and demurs. Finally Achebe says: ‘Conrad was a thoroughgoing racist. That this simple truth is glossed over in criticisms of his work is due to the fact that white racism against Africa is such a normal way of thinking that its manifestations go completely unremarked.’ * Achebe’s Africa In lieu of this, Achebe writes Things Fall Apart. A work that can be seen as the cleansing off of the stereotypes forced upon Africa by the European colonial mind-set. The first departure, merely in terms of literature, is the departure from the individual and the consciousness of the self—a kind of literature that stemmed from Europe through Modernism—towards the whole and the individual’s part in the whole. There was no ‘one person alienated

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