Willy Loman Is a Modern Tragic Hero Not an Aristotelian One

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WILLY A TRAGIC HERO in Arthur Miller's Death of a Salesman

The tragedy that is outlined in Miller's work is modern in its scope. It is not Aristotelian in that it seeks to illuminate a modern condition for modern individuals. In the Aristotelian view, there is a dramatic sense of appreciation, an aesthetic that seems to confine itself into the realm of the dramatic. This is not in Miller's rendering, as Willy's tragedy is of the common man, something that is applicable to to all individuals. In a viewing of the production, Miller notes the audience's reaction to what they were seeing:

[The audience members]were weeping because the central matrix of this play is ... what most people are up against in their lives.... they were seeing themselves, not because Willy is a salesman, but the situation in which he stood and to which he was reacting, and which was reacting against him, was probably the central situation of contemporary civilization. It is that we are struggling with forces that are far greater than we can handle, with no equipment to make anything mean anything.

In seeking to make a drama that is a critique of the "central situation of contemporary society, Miller has constructed a tragic hero that is not Aristotelian, but rather modern in its reach and its implications

A common idea presented in literature is the issue of the freedom of the individual in opposition to the controlling pressures of society. Willy Loman, the main character in Death of A Salesman by Arthur Miller, epitomizes this type of person; one who looks to his peers and co-salesman as lesser individuals. Not only was he competitive and overbearing, but Willy Loman sought after an ideal that he could never become: the greatest salesman ever. Determined to make money, Willy became uncontrollable and somewhat insane. Through his dialogue and actions,
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