When the Towers Fell: a Poetry Explication

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After the events of September 11th, 2001, many books, poems, photographs, songs, and other forms of literature were published. Some accurately captured the essence of what the attacks on the World Trade Center meant–some were a weak attempt at doing so. Galway Kinnell, an accomplished poet, wrote the former. In Kinnell’s 2002 elegy “When The Towers Fell,” he uses a parallel structure, as well as his actual words, to evoke images of the building up and the falling down of the towers. He also repeatedly expresses the message that nobody was left unchanged by the events of 9/11, regardless of gender, ethnicity, socioeconomic status, or any other defining characteristic. The poem exhibits a sort of palindromic structure, even as it moves ever forwards in time. It begins and ends with a physical description of the towers, depicted as “bands and blocks of light” and “glassy blocks.” Each time, it mentions the souls within the buildings who “sat up all night / calculating their profit and loss” and where “each life, put out, lies down within us.” Kinnell then moves on to a description of the suffering endured by those actually in the towers as they burned: “some died after over an hour spent learning they would die” and “how those on the high floors must have suffered: knowing / they would burn alive, and then, burning alive.” He describes the suffering of those who lost loved ones in the attack: the woman who “stands on a corner holding up a picture / of her husband” and the “photograph of a woman [that] hangs from a string / at his neck.” His movement from the impersonal, tangible world to the indescribable emotional torment of those affected is flawless, building up to the climax when he compares the attack on the Twin Towers to the other earth-shaking events in human history, such as the Holocaust. The upwards motion of the theme brings us from a visual portrayal to

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