Steinbeck makes the reader conflicted on how they feel about her throughout the novel until and after her death. At the start of the novel our first impressions of Curley’s wife is shared with the other men on the ranch; in a negative way. The reader dislikes her as she is interpreted as being flirtatious, craving attention and provocative. Our first reference of her is at the start where the ranchmen talk about her. “Well I think Curley’s married…a tart.” Steinbeck used the word tart, as it is an undermining term to say that a woman is promiscuous at that time.
In the second interaction we have with Curley’s wife. John Steinbeck uses her descriptions to create sympathy for her. For, example, the second time Curley appears in the novel is written within the following sentence. “Her face was heavily made up”. This could suggest that she disguises her true feelings and emotions with lies like the colourful, interesting appearance that disguises her lonely, isolated life.
Gwen Hardwood The emotive qualities of Gwen Harwood’s poetry resonate with her readers. She uses her own memories to illustrate love for her family, her loss of innocence and the swiftness of time passing. She demonstrates this in her poems Father and Child, The Violets and At Mornington. The poem The Violets opens with the line “It is dusk and cold,” the time of day symbolising that this persona has reached old age and is metaphorically drawing closer to nightfall or the end of her days. Death is made apparent with the negative adjective “cold.” The flowers she is picking at the beginning of this poem are clearly what stimulate her memory of childhood as they are referenced later in the poem.
Personal Response- Gwen Harwood- “Mother who gave me life” The poem “Mother who gave me life” utilises Harwood’s personal experiences along with reflection of human history to the self-sacrifice of motherhood. The diminishment of a mother’s relationship with her daughter, is made everlasting through the nurturing role of “motherhood” that is rooted deep into human instinct. Individual experience is portrayed by Harwood through the more personal tones of reflection and nostalgia, personal pronouns express the intimate and deep connection between mother and daughter “Forgive me the wisdom I would not learn from you” the authentic contemplation on Harwood’s behalf shines a light on the universal truisms that come with motherhood. The cyclical imagery “women bearing women…for the wild daughters becoming women” suggests Harwood’s recognition of the generations and history of women, through exploring the history of motherhood, Harwood conveys the universal truisms which remain timeless and relevant to today’s and future’s society. The reflection on the continuity of motherhood through the maternal line “your mother, and hers and beyond” expresses the accumulation of motherhood throughout time, the sibilance of “speech growing stranger” evokes the mystical mood of an ancient past.
In Simon Armitage’s poem ‘the manhunt’ discuss the ways in which you consider language and imagery, structure and form combine to convey the meaning. In the poem ‘manhunt’ written by Simon Armitage, the poet uses form, structure and linguistic devices to convey the meaning of the poem. As the title of the poem suggests, the poem is about a woman trying to find the person her husband was once, before he got injured. Armitage uses imagery effectively to portray the meaning of the poem, this is done by the use of metaphors , ‘the damaged, porcelain collar-bone’ this quote is saying how precious his collar bone is, and how breakable it is. The ‘porcelain’ emphasises how fragile her husband is and how careful she has to be around him, so she does not upset him.
The phrase ‘heart fit to break’ links to the iambic tetrameter breaking as the speaker’s heart is breaking, and so does the pattern. Form is used to tell the story of ‘Porphyria’s Lover’ as the rhyme scheme shows the instability of both their relationship, and the lover’s apparent lack of sanity, whilst the iambic tetrameter shows that Porphyria’s lover is heartbroken because of this. The structure of the poem is another useful aspect that Browning uses to tell the story. ‘Porphyria’s Lover’ has been written in one long stanza, rather than in lots of stanzas. This not only builds up the excitement in the reader, but also builds tension as to what the lover will do and when.
Hughes uses his poem, The Minotaur, to try to manipulate the audience to see a different view of their marriage, and to make people feel sympathetic towards him. Hughes portrays his wife Sylvia Plath as violent, irrational, and out of control. This is shown in the way he shows her, in lines such as “The mahogany table-top you smashed”. The onomatopoeia of “smashed” further emphasises her violent personality. Later in the poem, Hughes accuses his wife of abandoning her family.
Irony is defined as the use of words to convey a meaning this is the opposite of its literal meaning. For example, when Armnad comes to find a letter, written by his mother, shows him that she “belongs to the race that is cursed with the bran of slavery.” Irony is shown at best here by the way Armand was so quick to judge others, even his own wife, that he did not bother to see if he could be, in fact, the “problem” that causes their baby to look different. The major problem throughout the short story is Armand’s pride overcoming the love he has for his wife Desiree. His problem, having too much pride especially for his family name, ultimately ruins his relationship with his wife and child. He feels as if everything revolves around himself and his name.
Curley’s wife essay Throughout the novella, Steinbeck slowly presents the character of Curley’s wife in such a way that our opinions of her change. As Steinbeck fist prepares the reader for the entrance of Curley’s wife he is very begins to prepare the reader for her entrance. He begins to prejudice Curley’s wife making you thing she is a “floozy”. Steinbeck uses this this to introduce the ideas of America citizens at the time and the sexism of ranch workers in the 1930s. Her mannerisms do not help these misconceptions.
Some of the poems in the final third of Edmund SpenserAmoretti sonnet sequence display this feature. Some poems by the same author are paired, allowing one character to make a statement in one poem and then allowing another character to reply in an accompanying work. For example, in the poem "Wrapt in my careless cloak," by Henry Howard, Earl of Surrey, a dsigruntled man complains about the behavior of women, while in an accompanying poem titled "Girt in my guiltless gown," a woman replies to the man's charges. Of course, another way in which lyric poems can be performative is that they almost demand to be read aloud if one hopes to appreciate all their subtleties of sound and sense. This is less true of novels, and reading an entire novel out loud is therefore not something that most people do (at least not any