The Old Man and the Sea

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Themes of The Old Man and the Sea Ernest Hemingway was one of the most influential authors of his era and his works of fiction greatly influenced American Literature in the Twentieth Century. He was born Ernest Miller Hemingway on July 21, 1899 in the Chicago suburb of Oak Park, Illinois. Hemingway’s style, as well as his adventurous lifestyle, came to exemplify a new generation of writers in the post World War I Era. One of his most popular and his last published work of fiction, The Old Man and the Sea, has remained a mainstay in American Literature since its publication in 1952. The novella tells the story of Santiago, an old fisherman who took a young boy, Manolin under his wing. As the story begins, Santiago is portrayed as an extremely unlucky old fisherman, as he hasn’t caught a fish in eighty-four days. This streak is only shadowed with his previous run at eighty- seven days without a catch. Santiago eventually heads out to sea by himself and hooks a large marlin; the bulk of the novella covers Santiago’s struggle with catching and keeping the marlin. With its short length and clear outline, the novella has been quickly labeled as an easy read and has come to be studied as an allegory suffused with metaphors and symbols (Stephens). Hemingway wrote the novella later in life and many of his experiences, interactions and overall mood are found coded in the bulk of the story. Hemingway has demonstrated the strength of friendship, perseverance, and aging in various ways throughout the book. The strength of friendship is prevalent throughout the book and is blatantly evident in the interaction between Santiago and Manolin. In the first part of the book, or the “pre-departure”, we are introduced to the old man, Santiago, and the young boy, Manolin. Santiago is a Spanish expatriate from the Canary Islands living in a small Cuban fishing village who
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