The Flaneur And The Crowd

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Just as a cityscape can correspond to a state of mind, it can be something that expresses an inner state. We affect our environment just as much as our environment affects us. We are always surrounded and interacting with or environment, the buildings we live and work in, the bars, coffee houses, and shops we frequent, and the streets and alleys that function as the veins that bring us between our destinations, all shape how we perceive our lives. At the time Benjamin was writing about, the cityscape of Paris was going through dramatic changes, physically, socially, and politically. Benjamin saw these changes as ushering in an era of “modernity”. We experience much of these changes through the eyes of the flaneur, the educated, critical wanderer. Benjamin writes, “The flaneur still stood at the margin, of the great city as of the bourgeois class. Neither of them had yet overwhelmed him. In neither of them was he at home. He sought his asylum in the crowd (Benjamin 170)”. The crowd, the flaneur, and the arcades were all major motifs in Benjamin’s writing, and they all made each other possible. Benjamin describes, “Strolling could have hardly assumed the importance it did without the arcades. ‘The arcades, a rather recent invention of industrial luxury,’ so says an illustrated guide to Paris of 1852, ‘are glass-covered, marble-paneled passageways through entire complexes of houses whose proprietors have combined for such speculations. Both sides of these passageways, which are lighted from above, are lined with the most elegant shops, so that such an arcade is a city, even a world, in miniature (Benjamin 36)’”. It was in these arcades that the flaneur found a home. He could stroll around this labyrinth, gazing and Observing everything under the pretext of “shopping”, mingling about with the crowd of customers. This was a new idea of

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