The thought of fighting my aunt was insane. At the same time I was thinking I could be fighting the girl from Farmington who may be big with a lot of potential. All of a sudden my name was called by my coach, John. He told me to go weigh in. His wife was doing the weigh ins, so she helped me.
All of the witches in the background are chanting, meanwhile roughly six witches shout out what they’re putting into the cauldron. Once the cauldron has been prepared Macbeth drinks the ‘potion’. He collapses and ends up looking into a large bucket full of water. He sees himself reflecting back at him and saying, “Macbeth, Macbeth, beware Macduff”. He was the apparition.
This is because Lennie wanted to touch a soft red dress and the woman called rape. This for-shadows what is to come in the upcoming sections. Due to Lennie snapping Curley's wifes neck, Lennie is to be run out of the ranch. Yet he remembered where to
Immediately the exhausted beast felt a dexterous strength flowing from the bald and vigorous Romeo in the prime of life. Straightening its head and slithering on its staggering legs at the impatient and imperious flicking of the whip on its belly, the jade got up, slowly and warily. (line 9) Then we saw a delicate wrist in a wide, flowing sleeve patting the dirty mane, and perceived how the whip cracked whining against the bloodstained flanks. Her whole body trembling, the jade stood on her legs, her doglike eyes, filled with love and fear, never for an instant leaving Dyakov’s face. (line 13) “That means she’s a mount,” said Dyakov to the peasants, adding gently: “And you were complaining, old friend.” Throwing the bridle to his orderly, the Remound officer took four steps at a bound and, swinging his opera cloak, disappeared into the Staff building.
On first appearance, Rochester is on a ‘tall steed’ whilst accompanied by a ‘great dog’, portraying power and male virility. However, Brontë instantly rids of this exterior, having him fall from his horse. Dignity and independence are lost immediately as he is forced to turn to Jane for help. In the 2011 BBC film adaptation of Jane Eyre, the director sets the scene by having a bird fly directly in front of the camera lens, this scares both Jane and the audience, whilst setting up the arrival of Rochester. It is both dramatic and sudden; the cold choice of colours and dark lighting used accurately represents how he is first portrayed in the novel.
She placed a piece of root from an old tree between my teeth. ‘Bite on this.’ I was frozen with fear. ‘This is going to hurt!’ I mumbled over the root,” Waris Dirie reveals in her book, Desert Flower (192). Many women and children suffer from female genital mutilation (FGM), also called female circumcision, every day. Ever since the moment she was mutilated, Dirie knew she had to help women escape the trauma she had experienced.
Walking away, I heard a spewing sound coming from inside the beast. Slightly turning my head, I witnessed the greatest horror imaginable. Through the stomach of the creature, a large hole formed and a tiny baby came crawling out. Immediately, a tear rolled down my face. 'She was pregnant.'
(22) * The demented red bullet inside my mother’ s chest tunnels its way in all different directions. It’s going ballistic and making holes everywhere, holes in places where no hole should ever be. It is going to drive her crazy, it is going to push itself out and embed itself in her own flesh and blood. She wants this little daughter to be completely her own, but the girl is already doomed. (30) * “I’m busy clearing up, go and bug your Grandma”.
This is important and shows the significance of both of these characters. Throughout the novella Eva is constantly accusing other characters or things as being Ratcatchers. The Ratcatcher is symbolised as the Pied Piper of Hamelin when he takes the children of Hamelin into the mountains and to be never seen again, this symbiosis Eva being dragged to England without he mom and dad to a land where she knows everyone. The Ratcatcher plays a big role in the novella; he is the main antagonist of the novella but as an important symbol in the novella context. At the beginning of the novella, Helga is reading Eva’s favourite book about The Ratcatcher, but throughout is often referred to as ‘Der Rattenfanger’.
I was sort of crying. I don’t know why. I put my red hunting hat on, and turned the peak around to the back, the way I liked it, and then I yelled at the top of my goddam voice, “Sleep tight, ya morons!” I’ll bet I woke up every bastard on the whole floor. Then I got the hell out. (Salinger 52).