The Beat Generation: from Beat Poetry to Mersey Beat.

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The Beat Generation: From Beat Poetry to Mersey Beat. The Beat Generation of the late 1950’s and 60’s included individuals who spoke for those who, until this point in time, would not have had a voice within society. The word ‘beat’ originally meant poor, down and out, dead-beat, on the bum, sad, sleeping in subways. Now that the word is belonging officially it is being made to stretch to include people who do not sleep in subways but have a new gesture, or attitude, which I can only describe as a new more. ‘Beat Generation’ has simply become the slogan or label for a revolution in manners. Jack Kerouac, ‘The Origins of The Beat Generation’ (1958) . Beat poetry of the late 1950’s by American poets such as Allen Ginsberg was used as a form of political debate and a call for a revolution. Ginsberg spoke out against conservative America and explicated his refusal to conform to societal rules and expectations. His poetry, with its unconventional structuring, use of themes and language, was an attempt to break away from the constraints historically associated with poetry. This sense of freedom of expression transferred into popular music as The Beatles, with the song writing skills of John Lennon and Paul McCartney, attracted a wider audience for the politics and the call for revolution that inspired the ‘Beat Generation.’ The Beatles represented the working class and a generation who had their fill of bureaucracy and wanted freedom to express their personal identity. A combination of both Ginsberg’s ideals in revolutionising poetry and the sudden rise of The Beatles influenced a group of young poets, and thus Mersey Beat was born. Mersey Beat poets such as Roger McGough re-crafted poetry as they deformalized the style of writing, changing it from an elitist form and thus boosting its appeal to the general populace. Liverpool became a cultural centre and Mersey Beat

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