Symbolism with "The Yellow Wallpaper"

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Charlotte Perkins Gilman was active in several feminist and reformist organizations in the late eighteen hundreds: “she proposed revolutionary rearrangements of domestic life to free women for work outside the home.” (p.204), she was truly a brave woman of her age. Gilman reflects her own mental illness and domestic imprisonment through the short story “The Yellow Wallpaper”. At the beginning of the story, the wife and husband’s relationship seems normal and appealing, but then you learn about the woman’s sickness. This implies that their relationship and husbands support may not be as wonderful as it first seems, because having a good social support from family and friends increasingly helps reduce the seriousness of postpartum depression. Although ten to fifteen percent of women can suffer from postpartum depression the eighteen nineties was an age in which men would normally see women as hysterical and nervous; therefore when a woman claimed to be very ill after having a child, men would simply tell them to sleep it off and dismiss them for “there is really nothing the matter” (p.205). Throughout the story the reader learns about the wife’s drive to insanity and how the wallpaper constantly symbolizes her insanity, many aspects of her life and many other women’s lives in the late eighteen hundreds and early nineteen hundreds. At the beginning of the story the reader is introduced to the new house as “the most beautiful place” however, “there is something strange about the house- [the wife] can feel it.” (p.205). But, what could make such a beautiful place seem frightening? The wife wanted to stay in a room downstairs that had wonderful roses all over, “but John would not hear of it … so [they] took the nursery at the top of the house.” (p.206). His excuse being that there were more windows in the nursery, Johns actions here give the reader the first glimpse of

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