Summary The Destructors

298 Words2 Pages
For Richard Kelly, as for most readers, Graham Greene remains "first and foremost" a novelist - and one of the relatively few in recent decades to attract serious critical attention while earning wide sales. Kelly believes that "Greene's future reputation will clearly be based upon the quality of his many novels." But he also clearly suggests that the critical response to Greene's work is "out of balance," for it has largely ignored his achievements in drama, film criticism, travel writing - and, of course, short fiction. As Kelly notes, Greene himself abetted this neglect by insisting for years that the short stories he published throughout his long career were simply "escapes from the novelist's world"; they were "escapades" - even "scraps." Perhaps most of his admirers will concede that not every Greene story is a gem; many, in fact, are undeniably slight. Several more, however - including "The Destructors," "Under the Garden," and "The Basement Room" - must be ranked among the best of their time. Greene composed these pieces, as Kelly notes, "along traditional lines": they show the influence of James, Maupassant, and Maugham. But they also display elements of the same style that marks Greene's longer fiction - including, as Kelly puts it, "crisp dialogue, clever similes, seedy atmospheres, and recurrent themes such as innocence and betrayal." They create a "unique vision of the world" shaped, Kelly argues, by Greene's "personal demons," including "a sense of betrayed innocence; an authoritarian and puritanical father; clever school bullies; fear of the dark, birds, and water; fear of and fascination with sexuality; fear of boredom." Kelly aims to demonstrate, then, that Greene's short fiction "serves as a means of exercising or restraining these demons"; that, moreover, "the entire fabric" of his short fiction "reveals a continuous psychological
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