Suffering In 'Lady Lazarus' - Sylvia Plath

657 Words3 Pages
Throughout the poem, Plath objectifies her persona through repetitive use of concrete nouns. She describes her face as ‘featureless, fine Jew linen’ and her right foot ‘a paperweight’. In doing this, the identity of the persona is lost, as her body is compartmentalised into separate objects of death, each representing a mused detachment from physical life. Alongside this degradation, there are dark contrasts between ideas of purity and morbidity. The personas skin is described as a ‘Nazi Lampshade’ with the contrast between these terms insinuating more of a sinister glow, and in turn, a sinister opinion on her own suffering. The constant references to Nazism that are apparent in this poem create a direct relationship between her own suffering and that of the Jewish people. This exaggeration of her own misery only adds to the melodrama that runs throughout ‘Lady Lazarus’, and is a technique she uses in many of her other works in ‘Ariel’. Also in this poem, the persona dramatises her triumphant return from death, describing herself as a performer. With references to her ‘theatrical Comeback in broad day’, Plath creates a more artistic and pretentious tone in the poem, with phonological allusions to Broadway and physical rebirth. The reference to her ‘peanut-crunching crowd’ creates a voyeuristic sense of theatricality that lacks sensitivity; it sees the persona feeling scrutinised and, to some extent, victimised whilst they watch her ‘big strip tease’. In contrast to this, by the end of the theatrical diversion in the poem, the persona appears to be enticing her crowd. She addresses the ‘Gentlemen, ladies’ as she plays up to those she has given her body to. This apparent satisfaction shows that the persona is now enjoying the attention that she receives when giving everything up to her incessant audience; it is apparent that this burlesque analogy places all control
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