Settings in Chopin and Hemmingway

1145 Words5 Pages
tings in ChopSetting in Chopin and Hemingway In literature there are many devices to tell readers something indirectly. One such important literary device is in the setting of a story. “The setting of a work of fiction establishes its historical, geographical, and physical context” (Kirszner & Mandell 148). The setting is critical to many works because it provides background and sometimes insight into what is occurring in a story. As Kirszner and Mandell mention, setting encompasses not only time and place but also the physicality such as weather or time of day. The work of Kate Chopin and Ernest Hemingway illustrate the importance of this. Chopin’s “The Story of an Hour” and Hemingway’s “Hills Like White Elephants” both rely heavily on their settings. “The Story of an Hour” is barely three pages long but the setting is critical. The foremost aspect to consider is the historical context. Kate Chopin wrote and set this story in 1894. The end of the nineteenth and beginning of the twentieth century was an incredibly important time for women’s rights and the women’s suffrage movement. It was a time when women were just beginning to break out of patriarchal domination. Joseph Palmisano notes Chopin “…transcended simple regionalism and portrayed women who seek spiritual and sexual freedom amid the restrictive mores of nineteenth century Southern society” (158). This is particularly true for “The Story of an Hour.” The main character, Mrs. Mallard, is introduced not by her name but by her married name. The plight of Mrs. Mallard, as a restricted and domineered female, would not work in a setting except one like the late 1800s. In her article “Emotions in The Story of an Hour,” Selina Jamil points out that Mrs. Mallard was expected to be a good wife and serve her husband, putting aside all concerns for her own self. Therefore, with an understanding of the
Open Document