Renaissance Art - Influence of Sciences (perspective, harmony, geometry, humanism, realism, proportion etc.)

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The Renaissance was a cultural movement in 1450-1600 which began in Italy in the late middle ages and then spread to the rest of Europe. It was a period of learning based on classical influences ranging from the work of artists like Michelangelo to scientists like Galileo to writers like Shakespeare. This surge of learning was caused by manifestation of a boundless and insatiable curiosity urging people to find out all they could about the world and man. They turned eagerly to the study of classic influences of classical literature and ancient monuments because they gave the key to what seemed an immense storehouse of forgotten knowledge. Even though great scientists, like Galileo, immerged and excelled in their own fields of work the rebirth of science also affected and fuelled the rebirth of the arts. The painting I will use to refer to in this essay is “The Trinity” by Masaccio. Masaccio (whose real name was Tommaso Di Ser Giovanni Di Mone) was a Florentine painter who lived between 1401 and 1429. Though he comes 100 years later than Giotto he has been described as the true inheritor of Giotto’s revolution as Giotto was one of the first artists to use perspective and other scientific influences in art. “The Trinity” was painted in 1427 in Santa Maria Novella (which translates to The New St. Mary’s). The image symbolizes many aspects of Christian doctrine. The skeleton may refer to Adam (representing all of humanity) and may also symbolize the journey of the human soul as the inscription above it states “I already was what you are. What I am, you have yet to be.” Also shown in the fresco are The Madonna and St. John at the foot of the cross, God holding Jesus and the dove of the Holy Spirit resting on Christ’s halo. This sacred couple is inserted in an architectural structure separating them from us and the married couple Cardoni, the actual purchasers of the

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