Pink Man Essay

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Manit Sriwanichpoom is a Thai activist/artist born 27 September 1961 who makes use of his video and photography works to make art of a social and political nature. He is best known for his works “Pink Man” (1997-2008) and “The Bloodless War”, with both being social commentary on the Thai society’s attitudes and the Thai government. The works of Manit Sriwanichpoom often comprises of a mixture of installation works coupled with photography and elements of performance. In this essay I will be focusing on the work “Pink Man: Horror in Pink”, 2001, which features a man in a pink suit being juxtaposed into pictures depicting the Thammasat University massacre which occurred on the 6th of October, 1976 and is the source of Sriwanichpoom’s criticism of how Thais forget their past too easily and are easily influenced by the idea of consumerism and losing their culture and roots as a consequence. Going along with this idea, the use of Pink Man could not only represent consumerism but modern Thais as well. There is a total of 6 pieces in this series. “Pink Man: Horror in Pink” is set in the historical context of the Thammasat University massacre, where crowds of students and protesters demonstrating against the return of a former military ruler Thanom Kittikachorn to Thailand were killed and injured when authorities ordered a free fire on crowds of protesters in response to their publishing of a “mock hanging” of a student who resembled the crown prince which was displayed on the front page of a popular Bangkok newspaper. The then Defense Minister Samak Sundaravej was said to be involved in the 6 October 1976 Massacre at Thammasat University by playing a crucial role in instigating violence against the students he called "communists", although he continually denies this. The incident ended violently with the victims being brutally slaughtered and burnt. A total of 46
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