Piano (1993) Film Reading

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Reading The Piano through Laura Mulvey’s Visual Pleasure and Narrative Cinema I will focus on the film The Piano (1993) and will try to explain some of key scenes and general narrative through the essay of Laura Mulvey; Visual Pleasure and Narrative Cinema (1975). In the very beginning of film The Piano (1993), Ada and her daughter arrives to the island where they will live from now on and they were carried to the beach, which is quite terrifying way to them. They had to touch to and be touched from complete strangers, which is so uncommon thing for them. Because in civilization where they come from, people do not touch each other and every each person has its own space. Especially women are object that should be hidden from gaze. Women cover everywhere on her body with clothes except hands, face, head and neck. Two females are carryied to the beach by men because they are not able to cross the sea by themselves, like men do. They need man to carry them like the furniture that Ada belongs. So after prolog, we begin the movie with a scene Ada and her daughter are carrying as objects. Meeting with nature at first night, Ada realizes her ‘cage’ under her skirt does not work in wild nature. There is no need to cover the body; there only need is survival. First meeting her husband, Stewart does not interest her condition; he is busy with his own disappointment about her physical. Baines is the only one who cares her tiredness or moral conditions, generally speaking her being. Following the narrative, Ada first asks Baines to take them to piano. She reunites with her piano and communicates with world at first time in her new home. As she says, she is not silence while playing her piano. Dumbness is only point of view; she does not use words to communicate. When Ada and her daughter return to piano, little girl is get free of her clothes and play around

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