Petruchio forces Katherina (Kate) to change from an abrasive, bad tempered, ill mouthed shrew into a perfect, docile, honey-tongued wife. Written between 1590 and 1594, it has claimed the title of one of Shakespeare's earliest Comedies and also one of his most controversial works. Particularly for modern audiences, Petruchio and his methods are what have earned this play its name as a highly misogynistic text. Via abuse, public humiliation and starvation he finally attains his goal of taming Katherina. Petruchio, a wealthy and unmarried gentlemen from Verona, wishes a wife.
But I will wed thee in another key, With pomp, with triumph, and with reveling. (Act I, scene i, lines 16-19) With Theseus's impatient for his wedding, he demonstrates how a wife must listen to her husband and how she is his right. Theseus may win over a fight with Hippolyta, but for her love, he will do the same thing to gain that love of her. As the law in late 16th century, everything belongs to a wife, also belongs to the husband, however, they not yet marriage, but Theseus shows a strong male domination over Hippolyta. Patriarchy not only shows in commitment relationship like marriage, but also takes place in family relationship like father and daughter.
They decided to get married after their “love fest” in the garden, and this is where their adventure began. The first archetype I have chosen for Romeo was a rebel. Romeo fits this archetype because he is inclined to resist authority and the authority that he is going against is his families’ laws. Romeo is courting Juliet discreetly behind their families back. Romeo is not supposed to have any dealings with her, yet he still fights for love.
However, once Lady Macbeth heard that her husband had been fortuned to be king in the future, her lust for greed, and selfishness drove her to insist that her husband take action immediately to seize the opportunity to become King of Scotland. Lady Macbeth believes that Macbeth is too soft, which can be seen by the use of the metaphor “It is too full o’the milk of human-kindness” (1, V, 15). This refers to the milk that a baby drinks, thus she compares Macbeth’s innocence to that of a baby. In turn, Lady Macbeth resolves that she must mislead Macbeth and provoke him to agree upon the murder of Duncan. Ultimately her apparent success comes about as she challenges his manhood during the discussion of murdering Duncan, “When you durst do it, then you were a man” (1, VII, 49).
Her father doesn’t help the situation because he shields her from the outside world and “chases away potential suitors because none of them are good enough for his daughter” (p.6”A Rose for Emily”). Her father is very controlling of her and this contributes to her being a little off down the road. When she does find a man that she does like in Homer Barron she goes crazy over him despite him being gay. This causes him to kill him when is he is to say that he is not a marrying man. Sarty is
To begin with, they had forced her to marry Paris whom she did not love or want to marry. It is shown when Lady Capulet says “what say you? Can you love the gentleman? This night you shall behold him at your feast.” (1.3.79-80).The fact that her parents were forcing her to do something she did not want to do made Juliet the very secretive girl she was. Also, the Capulet family was in a fight with the Montague family.
This betrayal hurt Juliet in many ways, and it hurt her parents a little too, as this would soon lead to her death. The first way that this betrayal hurt Juliet is that she was forced to marry someone she did not love, and completely forget about Romeo, her husband. Lord Capulet does not care about Juliet's feelings when he hears that Juliet does not want to get married. All he wants is money and a good connection to the Prince. He did not always think like this though.
Although it was Hamlet who wooed her, and with whom she was intimate it is Hamlet himself who later chastises her for her impious actions. “Get thee to a/nunnery, go: farewell. Or, if thou wilt needs/marry, marry a fool; for wise men know well enough/what monsters you make of them. To a nunnery, go,/and quickly too.” (III.i.131), he commands her, leaving her without a response. By saying these words to her he is crassly calling her a harlot, and making to appear that he never really loved her.
She calls the women “foul contending rebel[s]” and “graceless traitors” to their husbands. The fact that Katherine insulted the wives is another way she shows her dominance among the women and the unkind, look downed upon, nature that is put upon the wives. Ironically, Katherine also states that a women who do not obey her husbands are “muddy,” “ill-seeming,” and “bereft of beauty” implying that these wives are these characteristics because of their disobedience to their husbands. Using these words, Katherine patronizes and reprimands these wives publicly almost as if she was teaching them a lesson on how to be true wives. The condescending tone that Kate uses on these wives is a basically a scolding for their disobedience and also a lesson on why wives should submit to their husbands so humbly.
The final line “Who could not say, ‘Tis pity she’s a whore?” can be seen as directed towards her and so she is blamed for everything that has occurred. Throughout the play she is seen as quite powerful and headstrong by refusing many marriage proposals and being quite stubborn in doing so. However, she is reduced to a weak being however upon dying which is a culmination of her passions. It is perceived that women are a danger to men and to society as a whole and so Giovanni’s actions are to be blamed not on himself, but on Annabella because of the beauty she possesses. Giovanni states that Annabella’s “lips would tempt a saint” thus showing the corruption her presence inflicts upon even the supposed innocent of men.