Order and Chaos, a Comparison Between the Films of Shane Meadows and Alfred Hitchcock

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The styles of Shane Meadow and Alfred Hitchcock could perhaps not be any more different, from the filmmaking language and theory to way they both operate during production. Both being an accomplish auteur with their distinctive filmmaking style well known through out the film critic community. When auteur theory was being developed, Alfred Hitchcock was commonly recognized as the ideal archetype, and his title evokes an instantaneous expectation in terms of theme and techniques. Hitchcock is renowned for his classical Hollywood style of filmmaking with high budgets, man power, prominent stars and technical equipments within an environment of strict schedules and budgeting. His films are engraved by his aptitude of cinematic technique which is epitomize in his way of using camera viewpoints, sophisticated editing and soundtrack to construct suspense. [1] As befits the conductor of mystery and suspense, his films tease with the audience’s nerves, sexually or tabooed topics. His genius was tapping into the most basics of human emotions, fear. However, the way he created fear in his films was far more cutting than merely depicting scenes of extreme violence. Hitchcock could put the audience in touch with how they could become the unwitting victims of secrets, betrayal and even government plot in the midst of their everyday lives. [2] One of the recurring themes that are frequently used is the idea that innocent individuals can get caught up in situations outside their control. Occasionally the characters are accountable of lesser crimes than the ones they are indicted of, however they are innocent of the crimes that are being endorsed to them. Referring to North by Northwest (Alfred Hitchcock, 1959), the protagonist Roger Thornhill (played by Cary Grant) is mistaken by foreign agents to be a fictional persona which had been devised by a US government agency.
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