A reader may think that Lindsey is just a strong independent woman who does not have a soft spot to her. But after a while of reading this novel a reader will notice that she is actually very caring. Lindsey falls for her partner Chris Raleigh, but she does not want to tell him because she does not want to hurt him. Lindsey discovers that she has Negli's aplastic anemia, which is fatal so she does not try to get close with him so he will not be hurt when she dies. Lindsey does not tell him that she is sick so when he asks why she does not want to have a relationship, she says, “I’m feeling things, too.
He is proud of her and shows it to the public, he is protective and he is loyal to her. This quote conveys “my child is yet a stranger in the world, she hath not seen change of fourteen years; Let two more summers wither in their pride, ere we may think her ripe to be bride.” This quote shows that he respects her and shows that he loves her and he tells Paris that she is too young to marry him. Later he changes his mind and wants her to marry Paris. But when Juliet refuses to marry Paris he then immediately grows angry as the head of the family he doesn’t like to be challenged. This quote suggests “Hang thee, young baggage, and disobedient wretch!
Ironically, Edda Mussolini, daughter of Benito Mussolini, was also against his policy. She hated the number and rate of kids she was expected to have. Though she didn’t voice her complaints at the time of her father’s rule, she did years later in her memoir. (Doc. 7) Taking into account her linage, her opinion is in no way biased.
Holden gives a fake name so he wouldn’t have to elaborate on his life to this woman. He also might’ve given this name to avoid being embarrassed if her son knew who she was really sitting next to. The main reason Holden lies to her is because he’s bored and he has a skill for lying. But I also think he lies to her to make her feel good about her son. Holden stops lying to her because he states that he can go on lying for hours but just didn’t feel like it.
Landon shows disrespect towards his Principle through his body language and tone of voice, instead of sitting up politely, he slouches and talks back. Not only does Landon not care about authority he consistently rebels against societal norms such as: caring, having morals, having a sense of self and having a conscience. Landon displays these abnormalities by not standing up to his friends when they made fun of Jamie for talking to Landon, by not feeling nearly enough sympathy for the boy who got hurt even though it was Landon who pushed him. Landon displays a lack of morals by drinking and driving. One of the reasons to Landon’s misconduct is that he completely and utterly disrespects and loathes his Father figure.
Rhetoric in The Stranger Throughout The Stranger, Camus uses existentialist theory and absurdist rhetoric to further the story of the main character, Meursault, who is socially detached and emotionally distant. Through the lack of evincive language, such as references to emotions or general empathy, Camus creates a character that seems to be above the bourgeois feelings of emotion. Camus attempts to inspire sympathy for a character who, throughout the story, feels none himself. A self-professed absurdist, Camus hated being labeled as an existentialist due to the fundamental differences of the two beliefs. Existentialism is a philosophical theory that states that each individual has absolute freedom of choice and each has the responsibility to regulate one’s own actions.
He relates these stories to Julia. Winston finds out that he can easily mask his feeling because he finds out that his dad left him and his mother and he distinctly remember his mother showing no emotion when this happens. This leads into a conversation between Julia and Winston (they talk about the inevitability that they will be caught). They talk about confessing and Winston regrets how young Julia is compared to him. Winston suggests they just walk out and never see each other again, to save them from being hopelessly lonely when they are forced to separate.
Elisabeth Kubler-Ross, in her book, On Death and Dying described five stages of grief: denial, anger, bargaining, depression, and acceptance. Our protagonist refrains from bargaining, but takes one further step in his process—action! Denial crops up immediately as the narrator considers the fate of his missing wife. With death all around him, especially for those involved in the liberation front, the narrator refuses to stop looking for her or asking about her, even though he fears finding out the truth. “Not to know where she is, what they have done to her is a torment (17).” He notices that the women who care for his house and children do not refer to her, and he realizes they believe she won’t come back.
The media does not exactly defend our rights as human beings but instead fuels the burning fire that exists in society. We are not given any rights in society or allowed to go to college. Every move we make is scrutinized and speculated. And even if we make an innocent mistake – it is a blunder and is unforgivable and must be punished. I have experienced people barging into our house and tearing the place apart just to find Bahá’í holy books in order to burn them and tear them, so that we may not be able to pursue our faith.
It is necessary and possible for science to deliberately exclude any * subjective/ emotional reactions * imaginative projections * valuations * expectations from our scientific dealings with reality if not avoided the resultant knowledge will be deceptive and untrustworthy what should be avoided is any form of * religious * social * political commitment of the knower attaining knowledge these are unjustified and untested prejudices which impair an impartial view of and grip on reality. these prevent objective reliable knowledge of reality. when done properly it yields knowledge of things in the world and also of the connections between these things as they really are: facts have to speak through direct perception for themselves in a neutral and unhindered way. *