Magical Elements in Rushdie’s the Firebird’s Nest

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Magical elements in Rushdie’s The Firebird’s Nest Salman Rushdie’s short story, The Firebird’s Nest, evokes myths and Indian traditions blending reality with imagination, and thus representing a significant piece of magic realism. In this genre of fiction, magical elements merge with real life, creating a feeling of credibility in spite of the absurdity of certain events; it expresses emotions in such an intense way that the reader is willing to suspend his disbelief and to entreat the impossible as possible. The present paper seeks to examine the contribution of magical elements to the interpretation of Rushdie’s story, and to provide an approach to the possible understanding of unrealistic events. Magical elements permeate the story converging towards one main symbol, that of the firebird, a mythological bird, that has a special connotation with death: it ignites at the end of its life and then it is reborn from the ashes, representing immortality. Women in the Indian community appearing in the story die this way as well: “[w]omen catch fire and burn” (231). They are destroyed by the eternal fire of the magic bird. Later in the plot this metaphor of fire is presented in relation with water; it refers to the eternal fight of opposites therefore to gender differences: “there has occurred a terrible, terminal rupture between our men and women. When men say they fear the absence of rain, when women say we fear the presence of fire, this is what we mean” (Rushdie 244). Water and fire are in stark contrast to one another but both are essential; there is no life if one of them is missing. It is demonstrated throughout the story that without water, a terrible drought and a maddening heat overtake the land. Indian people are waiting for the rain, they hope the American woman could be the “rainmaker”, and eventually she does bring rain. In the end of the story, “she

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