Kponyungo Mask Analysis

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Kponyungo Mask The Senufo are an ethnic group located in Northern Côte d'Ivoire, Mali and Burkina Faso. The Senufo people consist of many diverse subgroups that migrated from the north into their present-day location in West Africa during the 15th and 16th centuries. Each community is broken up into several small residential areas. Specifically, the residential areas consist of small villages. Due to their diversity many of these villages often speak different languages. They have three societies the Poro, Sandogo, and Wambele. These societies are intended to instruct young men and women how to be good citizens, honor their elders and ancestors, and respect supernatural forces. Common art among the Senufo are Ancestor figures, as well as brass miniatures and small statues. There are also several different masks that are used by the Poro society. Specialized artisans create all Senufo art to help cut down the regional stylistic differences of the different villages. Senufo art is tightly interconnected with their religion and beliefs because they are used to worship their gods, ancestors, and bush spirits. The Kponyungo mask, or “funeral head mask” is a black wooden helmet mask thirteen inches long, and sixteen inches wide. Kponyungo derives from the word Kpoo and nyungo and is translated as “head of deceased one”. Although the artist is unknown, the mask comes from Senufo decent. Members of the Senufo Poro society, or “secret men society,” wear it during their most dangerous masquerades and funerals. It has a collection of many elaborate details such as rows of sharp teeth, antelope horns, bush pig tusks, as well as bird and chameleon figures. All the different animal parts are aligned symmetrically, with a vertical line running from the end of the nose to the back of the head. When looking at the mask from the side, the view is broader which allows

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