Judas At The Jockey Club

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William Beezley’s Judas at the Jockey Club describes multiple conflicts that took place under Mexican dictator Porfirian Diaz’s regime. It was the conflict between los de arriba (the topcats) and los de abajo (the underdogs). Mexican upper-class people wanted to modernize the state and embrace western ideologies and sports like baseball, cycling and mountaineering, vowing to transform Mexico City into a new Paris. Lower class people, on the other hand, resisted the change as it ruined old traditions but made little positive impact on their lives. The conflict was best illustrated by the Judas burning tradition, a symbolic celebration of the underdogs, which attracted the participation of the elites and the Jockey for a moment, but then left back to the lower class. The Porfirian era in Mexico was symbolized by the conflict between the noble upper class and the working lower class. It is also the conflict between colonial traditions and progressive Western ideologies. The Judas burning once made the elites and the underdogs come together, but after that the elites abandon the traditions to embrace new celebrations such as flowery wars and bicycle parades. The class conflict in Mexico has been long been manifested into sports. In colonial period, arrangement in bullfight rings depict the class division, where the elite (the wealthy, landowners, managers, politicians, and churchmen) sit in the shadow and working class people (the campesinos, the peones), which Carlos Fuente has regarded as son of the bitches and poor bastards, are thrown under sunlight. The elite first abandoned traditional culture to the rest of the people, then it strongly attacked the se traditions as backward and obsolete customs that did not represent a culture at all, only obstacles blocking the progress development of the Mexican nation. Under Diaz’s dictatorship, Mexico was Europeanized on the

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