A1: Impressionism Era The Impressionism Era started in Paris, France in the 19th century, between 1867 and 1886, when French artists rejected government sanctioned artistry that was dominating the arts. The influence of this era spread all through Europe and eventually ventured to the United States. Such known artists during this era were the now famous Claude Monet, as well as Edgar Degas, Camille Pissaro, and many others. (Impressionism, 2015). Artists of the Impressionism Era used strokes that were short and visible, which included smears, dots, and commas.
Instead, they placed more emphasis on the “structure, content, and formal order” ("Impressionism & post-impressionism,"). They liked to use unnatural colors and use geometric shapes, unlike the Impressionist’s use of soft lines and natural colors. Also, instead of painting outdoors to capture the moment, Post-Impressionist painted in a studio, and their paintings were based on the emotion and concept of the artist (Emelda, 2011). Like the Impressionists, however, they believed the originality of the painting was important. Like many artists of the 1880’s, the Post-Impressionist wanted to portray “emotion and intellect as well as the visual imagery” ("Post impressionist,").
In the sense that it was a reaction to Impressionism, we may describe expressionism as an example of "post-Impressionism". In any event, whereas Impressionist painters sought only to reproduce nature (notably the effects of sunlight), Expressionist painters sought to express their feelings about what they saw. It was a more active, more subjective type of modern art. The roots of expressionist art during the modern era can be traced back to the extraordinary landscapes and other works (see Interior at Petworth, left) of the British artist JMW Turner (1775-1851). His unique style predated the emergence of the late 19th-century Expressionist impulse by at least 40 years.
Impressionism was the first of the modernist art movements. The term impressionism is derived from Monet’s artwork Impression: Sunrise, which is a demonstration of the values of the movement. Impressionism began in France in the 1860’s and exemplified the rejection of traditional art making methods and began abstract art. The impressionists (Monet, Pissarro, Renoir, Degas) veered away from the realistic style paintings which society valued and developed a darker and sketchier style. Their paintings reflected every day scenes and landscapes, often painting on location and in plein-air (the open air).
As traditional art forms had become outdates due to industrialization. It seems like the term “modernism” has been a conflicting term in the academic world. This is because the term “modernism” acquires a different scope and penetration in each different academic discipline. The inception of modern music typically located at the close of the 19th century, while to talk modern in English literature is to focus upon a relatively highly influential body of work produced in the first two decades of the 20th century. In the history of art, on the other hand, the student of modernism can expect to run a gamut from the French painting of the 1860s to the American art of a century later and may even be directed as far back as the later 18th century (Modernism, 2003).
Activity A: Identifying Art Vocabulary Marizy Sainte-Genevieve Maurice Utrillo 191 Directions Study the above painting, Marizy Sainte-Genevieve, carefully. Based on your analysis, answer the following questions. Write your answers in the boxes provided below the questions. 1. What types of lines has the artist used in the painting?
Modernism Essay Modernism was an artistic and philosophical movement between the 19th and 20th century. The movement covers a variety of artistic styles, ideas and cultures including Impressionism, Secessionism, Post Impressionism, Fauvism, Expressionism, Cubism, Futurism, Constructivism, Surrealism and Pop Art. Each of these movements has influenced how Modern Art is portrayed and how it will continue to evolve in the future. The pioneers of these ‘isms’ struggled for innovation and were characterized as Avant-Garde. The first inkling of Modernism came after the French Academy refused 5000 works.
This period was coming into view when society was on the verge of big changes. New inventions, the Industrial Revolution and the desire to separate from Romanticism were all factors inspiring the Impressionist movement. Even with all this exciting change, it was still difficult for impressionist artists to gain recognition. French art was deeply ingrained with tradition and the art world was rich with conservative approaches (Callen, 1982). Still, Impressionist painters broke away from many artistic traditions of the past and employed their own influence by using more natural methods of light and capturing whatever reaction they witnessed at a precise moment.
Monet and Van Gogh chose the subject of sunflowers for two of their most famous still life paintings and even though both depict the same type of flower, their painting styles are completely different. Van Gogh was considered to be more post-impressionist than Monet. Van Gogh was also considered to be an expressionist. Van Gogh moved to France and rented a house and began panting seaside landscapes, portraits and the Sunflower series. His paintings reveal his emotions and sensations and are expressionist in nature.
Abstract An introduction to surrealism as an art form and what it means by focusing on the most famous piece from perhaps the most famous surrealist the world has ever known. The Freedom of Surrealism Surrealism is a form of abstract art, born out of the Dada movement in the 1920's. In the first Manifesto of surrealism, Andre Breton set out to create an artistic form that would release the artist from the restrictions of normal reality and allow them to live inside their subconscious minds. Today surrealism, whether in the form of painting, writing or even film, is characterized by extreme juxtapositions, elements of surprise and more often than not, various underlying themes that are very personal to the artist. The Vancouver Art Gallery's exhibition entitled "The Color of my Dreams: The Surrealist Revolution in Art" was of great interest to me because of the focus it lent on surrealist art, what it means and how one can interpret it.