He uses and controls others to diminish the psychological wellbeing of Othello. All of the characters in the book trust him including Othello, which makes him more deceitful. In the beginning of the play Iago say’s “I follow him to serve my turn upon him”. This just reinforces the fact that Iago is fraudulent and untrustworthy. Iago also say’s “My lord, you know I love you” which juxtaposes his previous quote “I hate the moor”.
The clever technique Shakespeare uses allows al the characters to perceive Iago as ‘honest’ and quite pure and heavenly like. When all the while he is nothing but a lying serpent more like the devil than any heavenly like creature. At the start of act 2 scene 3 we see that Iago attempts to force Cassio into lecherous thoughts towards Desdemona. He is tempting Cassio into saying something he shouldn’t or something he may sooner regret. The key part of this however is that Iago is tempting Cassio, very like the devil himself tries to tempt us.
At the end of the play he gauged out his eyes to show that he was and forever will be blind to the world. “O dread fate for men to see, O most dreadful that I have met my eyes.” Oedipus, gauged out his eyes because he had seen the truth and it was too much to bear and see. Even though Lear and Oedipus have authority of their kingdoms they seem very naive. I find it interesting that men of such power are unable to tell others are misleading them. How is this so?
The next reason for this break up was Iago. Shakespeare needed someone to poison this relationship and chose Iago for it. Iago plays around with Othello and Brabantio's mind. Firstly he portrays Desdemona to be having an affair with Cassio. "The moor is of a free and open nature that thinks men honest that but seem to think so..." He shows us that Othello is of a very open nature and will believe whatever he is told.
He masterfully manipulates our response into having a grudging admiration for his skilful use of language. Richard disguises himself throughout the play from a devoted brother to a pious convert. He has a constant burning desire for personal power and satisfies his aims, regardless of who he murders. “And therefore, since I cannot prove a lover, To entertain these fair well-spoken days, I am determined to prove a villain, And hate the idle pleasures of these days.” (I.1.28-31) When he finally becomes King of England,
He subjects the poor characters of his novel to every imaginable evil that man has been wont to commit in order to prove that this could not be the best of all worlds. Secondarily, Voltaire also seems to have other bones to pick. Hardly a paragraph is written that does not contain a sarcastic comment about or outright mockery of some person, idea, or institution. It is a credit to the skill of the author that he is able to present his criticisms with a humor that is as intoxicating as it is relentless and controversial. The sheer number of insults and implications made by the author coupled with a healthy sprinkling of aristocratic inside jokes would indicate that he essentially wrote this book for himself and other like-minded intellectuals of the enlightenment that disapproved of the status quo or could at least appreciate his cheeky sense of humor.
It is due to his feelings, Orgon rejects any logical explanation of actions of Tartuffe, he is absolutely unreasonable in his judgments concerning Tartuffe because he is guided by his emotions and feelings. In stark contrast, Tartuffe perfectly understands the power of emotions over Orgon and he uses this weakness for his own benefits. Even when Damis, the son of Orgon, denounces Tartuffe’s plans to seduce Elmire, the wife of Orgon, Tartuffe effectively uses his reason and plays with religious feelings of Orgon admitting the weakness of his spirit. Overall, this was a very enjoyable play to read and review. I was thoroughly entertained
However, the devilish creature is intelligent and has a sincere heart and an innocent mindset. Being that his overarching goal is to work his way calmly into society; the wretch is emotionally unstable when the shunning of anybody he came into contact with became an impossible avoidance. He is well aware of this discriminatory rejection as he states, “the unnatural hideousness of my person was the chief object of horror with those who had formerly beheld me” (Shelley 133). The mere power of the monster’s disfigurement takes its toll on the witnesses, granted that it is seemingly unattainable for them to look within this helpless creature. The blind De Lacey is proficient in distinguishing the sincerity in the monster’s voice when confronted by him.
Before the vicious acts and insanity jumps in, Macbeth expresses his moral dilemma and how he is extremely confused. He tries to persuade himself that it is unethical and how he probably shouldn’t go through with it yet, Lady Macbeth encourages him otherwise. Even when Macbeth hallucinates a dagger floating towards him, he still shows that he has a conscience and can tell the difference between right and wrong. “There is no such thing:/ It is the bloodied business which informs/ Thus to mine eyes.” Exaggerating how it is murder which he is about to commit that is the catalyst for his
He does not notice his change but others like Banquo are completely aware of the fact that Macbeth “ [has] it all: [he’s] the king, the thane of Cawdor, and the thane of Glamis, just like the weird women promised [him]. And [Banquo] suspect [he] cheated to win these titles.” (3.1.1) The witches know exactly how everything will turn out and manipulate him in such a way that he does not know that he is becoming evil. They do this by giving him the illusion that the things he is doing are done in order to protect himself when in fact they just pull him deeper into the pit of evil and arise second thoughts about Macbeth’s greatness among others. The complete change can easily be seen by Act 4 as the First Apparition cries“Macbeth! Macbeth!