House/Edge of Trees

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“As an artist, you are not a machine in a studio. You are not working alone, you are in a community, working with other people.”
- Alex Kershaw (artist)

1. With reference to this view, explain the significance of collaboration in artistic practice. Refer to both House and the Edge of Trees.

Throughout art history, collaboration in artistic practice has moved into the mainstream of cultural production and is now being taken for granted as one of the main significant ways in which artists can choose to operate. There are some artists who have come together from a reaction against political and cultural establishments and there are some who have chosen to work collaboratively as a positive choice to create meaningful art. Alex Kershaw’s statement, “as an artist, you are not a machine in a studio. You are not working alone, you are in a community, working with other people,” suggests that the environment around practicing artists has an impact on the change between the artists and especially the work in which they are trying to create. The significance of collaboration in artistic practice can be seen through the community and the people who chose to support their work, people such as contractors, architects and government bodies. Most importantly, collaboration in artistic practice is significant in relation to site specific works such as the Edge of Trees by artists Fiona Foley and Janet Laurence and the House by Rachel Whiteread.

During the process of the House by Rachel Whiteread, collaboration played a significant role in the artists practice as if it weren’t for the permission from the local council authorities and in conjunction with the commissioning body Artangel, the House would have never made its grand appearance. In relation with Kershaw’s statement, Whiteread had relied on other people within the community which contributed to ensure the

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