Filmic Depictions of Mental Illness in the Legal System

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Film portrayal of mental health is useful tool to challenge stereotypes and debunk myths about the mentally ill. It also sheds light on many legal issues faced by the mentally ill. Representations of the mentally ill in popular culture are becoming an area of increasing interest to the study of mental health law. The mentally ill and the relationship between depictions of mental illness and the legal treatment of such individuals has been a longstanding topic of interest. This essay explores the power of film and its influence on ideas about the mentally ill and legal doctrine when dealing with such cases. In order to illustrate mental health concepts and legal issues; the films, One Flew Over the Cuckoo’s Nest and Girl, Interrupted will be compared. Both films explore how mental illness is socially/legally constructed, along with the underlying psychological issues (Hall 287). One Flew Over the Cuckoo’s Nest is a 1975 film based on the 1962 novel of the same name by Ken Kesey. The main character, Randle McMurphy, fakes mental illness to avoid going to jail. What he discovers though is far from the gentle environment he had imagined a mental institution to be. Instead, he finds himself in a strict, tightly controlled asylum that is fueled by power. Physical and chemical discipline, along with electroshock therapy, is used to punish any violation of the rules (293). Girl, Interrupted is a 1993 adaptation of Susanna Kaysen’s semi-autobiographical account of her stay in a mental hospital. The social construction of mental illness is addressed as well as how those who are social outsiders are disproportionately labeled as mentally ill. Kaysen, played by Winona Ryder, is pressured to enter a mental hospital after an apathetic suicide attempt. She is diagnosed with borderline personality disorder and committed to a private psychiatric hospital (294). Girl,

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