He realized that the plan might not be reasonable and he started to second guess himself. “If th’assassination/ Could trammel up the consequence” (1.7 3-4) He had always looked up to Duncan and the thought of killing him made him distraught. Lady Macbeth found out that he was thinking about backing out on the plan. This is when she approached Macbeth and yelled at him about not being a man and managed to persuade him back into the plan. When it’s finally time to take action, Macbeth is frightened.
In fact he becomes so angry that he tells Ophelia that he never loved her and that instead of marrying she should go to a nunnery rather then pass on her genes to children. At this point in the story, Hamlet makes it seem as if he is not interested in women anymore. For the readers perspective at this point in the story they are clue less as to the true feelings of Hamlet. Hamlet also does not have very much respect for his mother anymore. This may be why he has such a difficult time getting along with women.
Therefore, I believe Manon hates her husband. This gives the impression to the reader that Manon is always negative and is harsh towards her husband, making people believe she is not loving towards him. However, the narrator’s restricted viewpoint could lead us to believe that she is biased and unreliable because she is narrating only from her point of view. Also, at the beginning of the games, Manon has a sympathetic tone towards the slaves and feels sorry for them because she says, “I couldn’t watch anymore.” This suggests that Manon feels ashamed of what she is letting her husband do to the slaves and that she feels sadness building up inside of her towards the slaves being treated horrifically. The dynamic verb of “watch” shows to the reader that Manon feels a little bit of pain towards the slaves and that she feels that they are only being used for torture.
“Who would have thought the old man had so much blood in him?” (pg. 154, Cooney) this quote shows the queen confessing about her killing Duncan because she was greedy and wanted the kingdom to be hers. She ended up dying later in the book because of the consequences for killing people in order to gain power. 3. Rhetoric: Pathos- “The sobbing of his little girl would only prove how ccompletely he had failed.” (pg 46, Cooney) is pathos becauses it showing how Mary’s father wouldn’t die while seeing his daughter crying.
When Macbeth is doubting the decision to kill King Duncan, and his wife, Lady Macbeth, responds by challenging his manhood saying, “When you durst do it, you were a man; and to be more than what you were, you would be so much more the man.” (Act 1. Scene 7. 55, 56, 57, 58) In this scene, Lady Macbeth is being very cruel and unforgiving in this act, acting more like the man society would expect Macbeth to be. In act 2, Macbeth is seen being very remorseful about his actions and decisions that led to him killing the king, generally playing the more feminine role, acting the way society would expect the female role to act. Lady Macbeth, on the other hand, is seen being very uncaring, nonchalant, and generally just very unconcerned with the situation and killing the king, the way society would expect the male role to play.
As soon as the nurse finds out that Tybalt is dead her reaction is very troubling and she doesn’t exactly know how to break it to Juliet so at the end result she says, “Tybalt is gone, and Romeo banished; Romeo that kill’d him, he is banished.” (3.2.69-70). This quote is a literal and a grammatical structure because Juliet is very upset but angry as well, she is young and she doesn’t exactly known what to do in the situation. Romeo’s blamed for the death of Tybalt. Fat occurs again when Romeo comes to the understanding that Juliet is dead and he kills himself too. At the start of the play Romeo dreams that if he goes to
They say, “Love can be dangerous in the wrong hands.” In the poem, “My Last Duchess”, that statement is a fact. All that the woman ever did was smiled at the things that made her happy, but her husband felt as if she gave him the same attention as she would a stranger. He wanted to feel special and since she could not give him that extra attention that was needed, he decided to have her killed. He also took upon himself to tell the father of his new wife, what had happened to his last wife. He basically was informing the father that if his daughter does the same as his last wife then she would be killed as well.
He feels shamed for having broken his code of honor with Abigail, saying “Abby, I may think of you softly from time to time, but I will cut off my hand before I ever reach for you again.” This shows that he doesn’t want to go through what he did with Abigail ever again. At the end of Act IV, he rips up his confession because he doesn’t want his name being used to sway others. He says “Because it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies!
The main character Hamlet started off as a son of a powerful King which was then killed by his own brother. His father’s death made Hamlet start changing and wanting to be more violent and even thoughts of taking his own life. Ophelia changed from being just a normal daughter but after her father’s death, she went insane and crazy. Those were just some examples how people changed in Hamlet. This play is a tragedy so there will be deaths but these deaths are caused by the faults of others.
Though saddened by his father’s untimely death, Prince Hamlet also expresses clear disgust for his mother, Gertrude, for marrying his uncle, Claudius, only a few months after his own father’s death. He is appalled that his mother would have such haste and “most wicked speed to post/ with such dexterity to incestuous sheets” (I.ii.161-162) with Claudius, for whom Hamlet is not particularly fond of. Hamlet scorns his mother, and in a general sense all women, when he says, “Frailty, thy name is woman!”(I.ii.150) He believes that even “a beast that wants discourse of reason/ Would have mourned longer” (I.ii.154-155). Despite his suicidal tendencies, Hamlet insists that he must remain silent on the matter and hold his tongue. The third soliloquy takes place in Act II, Scene II, after the departure of Rosencrantz and Guildenstern.