Explore How Shakespeare’s Use of Stage-Craft and Imagery Convey Macbeth’s Morale Decline from Noble Hero to Bloody Tyrant

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Explore how Shakespeare’s use of stage-craft and imagery convey Macbeth’s morale decline from noble hero to bloody tyrant. Through the imagery of blood and deceit, and the use of supernatural, Shakespeare explores the morale decline of Macbeth. The stagecraft at the opening with the use of supernatural hints at the morale decline to come. Macbeth’s first appearance is staged to show his corruptibility. Banquo is juxtaposed to show how an honest man would react to fair-surrounding predictions. Macbeth’s “aside” clearly reveals him to be a man who is morally flawed and susceptible to temtation. Shakespeare’s use of imagery with the three witches makes us realise that the witches only want bad things for Macbeth. They test his character to see if they can corrupt him from his natural state of mind into their evil ways. As such Macbeth is morally vulnerable to them. The ways in which Shakespeare’s language gives us the imagery that the witches are so evil is when it quotes the oxymoron: “Fair is foul, and foul is fair.” This quote is important because it introduces the idea of deception which will be picked up in the imagery further through the play. Macbeth from the beggining of Act 1, scene 2, is always associated with blood. At first this is a positive view of imagery as it quotes: “Bellona’s bridegroom.” We get the impression that Macbeth is a “Noble hero,” other quotes such as: “ For brave Macbeth, he deserves that name” or “ O, valiant cousin, worthy gentleman,” show us that Macbeth is presented as a man that is one in a million. Further through the play however the image of blood is used to soak “ Devilish Macbeth,” a quote such as: “Untitl’d tyrant, bloody-sceptr’d” show this. Another way in which Shaekspeare has shown Macbeth on the urge to moral decline is in Act 1, Scene 4. Macbeth has something to hide: “ Black and dark desires.” The imagery of

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