Reverend Hale, who enters Salem Naïve and convinced of his greatness in discerning spirits, realizes he has cause irreparable damage. In order to right one of his many wrongs, he wishes for Elizabeth Proctor to convince John Proctor to sign a false confession in order to save his life. John Proctor stated a quoted, “I speak my own sins. I cannot judge another. I have no tongue for it.” Proctor confesses to witchcraft yet refuses to incriminate others.
-Seems to follow Raphael’s typical subject matter of the beautiful world of nature. CHARACTERS -Three characters in this piece are the Virgin Mary, Baby Jesus and St. John -St. John is depicted presenting Jesus with a crucifix shaped stick foreshadowing the death of Jesus years after. -He also gazes up toward Jesus instead of standing to his height in respect for his holiness -Although this hierarchy is only subtle because Mary’s arm reaches out to St. John to include him in the composition. -The Virgin Mary stares longingly at the crucifix shape with a concentrated expression as if in thought, her position is also rather dramatic. -Mary is once again wearing her traditional clothing of a red under garment and blue over cloak and skirt.
This did not really mean she disliked Connie, and actually Connie thought that her mother preferred her to June just because she was prettier…” (383). Despite Connie’s continued portrayal as a rebellious teenager, in the final scene of “Where are you going” is when we begin the see the similarities between Connie and Eve of Genesis. In the final scene, Arnold approaches Connie alone without her family and her friends. Likewise, in the story of Adam and Eve, Eve is initially approached by Satan when she is without Adam. What about how Arnold speaks to Connie?
Flaubert’s Madame Bovary describes the tragic life of Emma Bovary, an ordinary country girl who grew up to be a woman with false and idealistic visions of romance, love and wealth. In the first part of the novel, readers are introduced to Emma and gains an understanding of her childhood, her naive character and how her unrealistic ideals takes a toll on her physical, emotional and mental states. Flaubert reveals little of Emma’s character until after the wedding where she becomes Madame Bovary, and the reader starts to realize that unlike Charles, Emma already regrets the marriage. “And Emma sought to find out exactly what was meant in real life by the words felicity, passion and rapture, which had seemed so fine on the pages of the books.” (Flaubert 27) This is the first instance in the book where it is suggested that Emma is disillusioned about romance and discontent with her life. She often compares her own life with that she reads in books, without realizing how unreasonable her dreams and desires seem.
LINDSAY LOHAN 1 Lindsay Lohan Accoring to Adlerian Theory Karmen E. Helmer Florida Institute of Technology LINDSAY LOHAN 2 Abstract I have decided to explore the personality of Lindsay Lohan according to Adlerian Theories. I plan to do this by delving into how her childhood experiences affected her personality development into adulthood. Within this paper I will discuss the affect her parent's volatile marriage and subsequent divorce had on her. The family constellation, and her resulting behavior; as well as the biological influences that have played a role in her very public behaviors. I plan to show that all of these experiences resulted in Lindsay's style of life, and the unconscious safeguards she uses in an attempt to protect herself.
Or do we believe that there are separate themes? What makes these books so treasured? Those are unanswered questions left for the us, the readers to find and interpret. The Girl Named Disaster, a novel written by author Nancy Farmer, was an emotional story of a girl by the name of Nhamo. Nhamo discovers
My favorite verse from that section was Exodus 21:22-25. I had never heard of the premature fine or retaliation and it is very interesting because it does paint a perfect picture that even in biblical times it was not okay to abort. My favorite part from the philosophical section was when they talked about quality of life as a reason for abortion. I liked the example the article gave of May, Jesus’s mother. She was poor and had a baby that was not her husbands, yet she decided to keep it and it was the savior of the world.
We are made up of stories. And even the ones that seem the most like lies can be our deepest hidden truths. Stories play an important role in Briar Rose for both the characters and the responder. Briar Rose is about a woman and her promise to her grandmother who claims she is Briar Rose. There are two plots in the novel, you have the present day plot which follows Becca on her search for Gemma’s past and the fairy tale plot, which follows Gemma’s telling of Briar Rose to her 3 granddaughters.
Guilt "God, as a direct consequence of the sin which man thus punished, had given her a lovely child, whose place was on that same dishonored bosom, to connect her parent for ever with the race and descent of mortals, and to be finally a blessed soul in Heaven! Yet these thoughts affected Hester Prynne less with hope than apprehension. She knew that her deed had been evil; she could have no faith, therefore, that its result would be for good. Day after day, she looked fearfully into the child’s expanding nature; ever dreading to detect some dark arid wild peculiarity, that should correspond with the guiltiness to which she owed her being" (Hawthorne, 86). Hawthorne describes Hester's guilt concerning Pearl's future.
Such an apprehension of what a name is (or is perceived to be) becomes key to our understanding of Jane’s and the novel’s sense of self and identity. keywords Jane Eyre, identity, names, onomastics A reader of Jane Eyre probably knows that Charlotte Brontë initially published the novel under a pseudonym, and, if not, will learn of this in an introduction to the novel or through the presentation of a title-page facsimile.1 The reader will think little more of it, eager no doubt to press on with the selfcontained story. But it may be worth pausing a while to consider what is going on in the seemingly innocuous information, ‘JANE EYRE. An Autobiography. Edited by CURRER BELL’, for this presentation is highly significant for a contextual appreciation of Charlotte Brontë’s first published novel.