Darkness Out There and Compass and Torch

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The darkness out there and Compass and torch both instantly begin to build up the up the tension and questions from the beginning. The title of “The darkness out there” gives the reader an insecure feeling. The reader’s imagination begins to consider what the “darkness” may be. The story begins with Sandra as “she walked through flowers” this paints a reassuring picture so we are shocked at what is to come. Sandra appears to be a stereotypical teenager as does Kerry. A prime example of this is at the beginning when he jumps from behind a hedge. This little prank gives the reader the impression of immaturity. Lively describes Mrs Rutter as a sweet stereotypical old lady. Lively calls her a Cottage loaf of a woman. She is very affectionate she offers the kids a “chocky” and refers to them as “ducks” Mrs Rutter’s language to Sandra is uncomfortably familiar (‘You’re a pretty girl, Sandra, pretty as they come’; ‘You’ll be courting before long yourself, I don’t doubt. Like bees round the honeypot they’ll be’; ‘Mind your pretty skirt, pull it up a bit, there’s only me to see if you’re showing a bit of bum’; ‘You’ve a lovely shape Sandra. Take care you stay that way’) which suggest to the reader that something’s not quite right about the old lady .However we then begin to see that Mrs Rutter’s language shows how cold, callous and uncaring she is: ‘He must have been a tough bastard. He was still there that evening, but in the morning he was dead.’ Kerry’s reaction is confident and mature: ‘Two bloody nights. Christ!’ ‘I’m not going near that old bitch again.’ Significantly, Sandra says nothing but realises ‘One moment you were walking in long grass with the sun on your hair and birds singing and the next you glimpsed darkness, an inescapable darkness. The darkness was out there and it was a part of you and you would never be without it ever’; ‘Through a world grown

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