Crime Essay - Rear Window, the Real Inspector Hound, Sin City, in Bruges

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Crime Essay Genre is, by its very nature, constantly adapting to reflect the both the social and historical contexts around it, and thus offers a range of diverse perspectives that are significant to both an understanding of the genre, and also to its popularity. These perspectives, arising in reaction to the events surrounding the text, offer an insight into society not otherwise gained from a more conventional viewpoint. As stated by Fiske – “Generic conventions embody the crucial ideological concerns of the time in which they are popular.” This is true of the crime genre, wherein the changing nature of society has enabled a range of diverse perspectives to assume the role of the detective, such as the character of the troubled hit-man or the crusading vigilante, offering varied examinations the inherent issues within society and a challenging of values otherwise taken as the norm. Additionally, through the exploration of justice, truth and morality, as well as the human condition, the elasticity and diversity present within crime texts has enabled the crime genre to retain its lasting popularity. This is clearly demonstrated through Alfred Hitchcock’s Rear Window(RW), Tom Stoppard’s The Real Inspector Hound (TRIH), Frank Miller’s Sin City: A Dame to Kill For (SC) and Martin McDonagh’s In Bruges, with the diversity present within these texts providing views that challenge societal norms and contribute to the enduring popularity of the genre as it investigates and reflects upon human nature in a variety of contexts. Crime is a genre that helps humanity understand ourselves and the world around us, as stated by Miller - “Genres act as social and cultural barometers.” Arising out of the McCarthyist and Cold War contexts of America, Hitchcock’s Rear Window offers an examination of the ambiguous nature of the investigative process, as well as a general critiquing

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