Cosi Shows Us That There Is as Much Madness in the Outside World as There Is Within a Mental Institution.

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Cosi shows us that there is as much madness in the outside world as there is within a mental institution. The play ‘Cosi’, written by playwright Louis Nowra, revolves around a twenty-one year old graduate named Lewis and the experiences he undergoes within a mental asylum as he attempts to stage an Italian play, ‘Cosi Fan Tutte’. The play suggests that not only is there madness in the outside world just as there is in the mental institution; but at times, the world outside can be just as chaotic. Although the characters within the asylum are literally ‘mad’, as they suffer from psychiatric disorders; in reality, the characters that have been deemed ‘normal’ are the ones who are experiencing the most “bedlam”. Nowra suggests that society’s stigmatised views and ideas about individuals with psychiatric disorders are false as he brings forth the notion that Nick and Lucy, and more prominently Lewis, are in absolute confusion about their identities, in comparison to the patients. Similarly, the environment outside of the asylum is frantic as the Vietnam War is taking place, however, when comparing the wars between the patients of the asylum to those outside, it is clear which environment contains more madness; the outside world. Initially, Nowra introduces each of the characters and seemingly their mental disorders; indicating that they are, in essence a representation of the definition of ‘mad’. Lewis bears witness to their insanity as they are “junkie[s]”, “pyromania[cs]” and have problems differentiating “illusion” from “reality”. Displaying the supposed roots of their “madness”, whilst presenting the idea that society only sees these individuals as labels, rather than beings a part of humanity. Although Nowra recognises their disorders, he attempts to highlight the idea that these patients are just like everyday individuals within society as they experience

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