Comparison Of Glenn Gould And Horowtiz

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Survey of Music Literature 301 30 October 2011 Comparing Vladimir Horowitz and Glenn Gould When comparing two great pianist of the twentieth century there is always great differences and similarities. Both Vladimir Horowitz and Glenn Gould began life with a similar upbringing but went dramatically different ways with their own interpretations of music. They shared a love for music and a flamboyant exuberance while performing that drove audiences to cry out in hysterical ovation. Vladimir Horowitz was considered by his peers as a “master of distortion and exaggeration” (Plaskin 218), Gould was known for his adeptness in technique and polyphonic texture. However, both had hidden lives that were sprinkled with scandal and personality quirks. Vladimir Horowitz, the youngest of four children to Simeon and Sophie, was born in Kiev, Russian Empire on October 1, 1903. His family was Jewish in a dangerous time and place to be so, but was still able to live a privileged life. He grew up in a musical home with his mother teaching him to play piano at the age of four and was considered a child prodigy. He began attending the Kiev Conservatory in 1912. Afterwards he attended classes at Gymnasium (Russian High School) where he learned to play multiple instruments in many forms, including: Opera, Italian, French, German and Russian. It was also at Gymnasium that he learned to play music from memory. At the age of seventeen he played his first solo. Glenn Gould had a similar musically influenced Childhood. Gould’s mother had planned on him being a musician before he was even born and had introduced him to the sound of music in the womb. He was born on September 25, 1932 in Toronto, Canada to Russell (Bert) and Florence (Flora) Gold. In 1939 to avoid being confused as Jewish they changed their last name to Gould; this became a long running joke for Glenn who was quoted as
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