The texts tell us fashionable women what the mascara does to eyelashes. The mascara is displayed in bottom right of page in a green tub. Covergirl is mostly taking Taylor Swift beauty to brighten up the page. Females will like this because they can see what they are getting and how it looks in the outside light. On the contrary, the Maybelline mascara advertisement lacks creative use of colors.
Miss Strangeworth thinks that she is like her golden fountain pen and everyone else is insignificant. Jackson uses archetypes to support the theme of “The Possibility of Evil” by making Miss Strangeworth use roses as the plant that she tends to every day. Roses look fragile but they hide their thorns. Miss Strangeworth is like the roses because she to hides her thorns. A rose also could stand for royalty and Miss Strangeworth thinks of herself as the princess of the town when she says, “A princess can see a lot of trouble sometimes” (3).
The protagonist Blanche Dubois enters the play. She arrives in Elysian Field to stay with her sister Stella. She looks out of the place as the play says "her appearance is incongruous to this setting she is daintily dressed in a white suit with a fluffy bodice, necklace and ear rings of pearls, white gloves and hat, looking as if she was arriving at a summer tea or cocktail party..." White color is the symbol of purity and virginity. Blanche is not pure and nor is she virgin which we find later on. So Williams has ironically given her this dressing. "
Zhongzi, Please & The Beginning of the Song that Diverts the Heart Pattern 1: Block Form Introduction Early Chinese and Egyptian ideologies expose the difficulties of love within their prose. Each contain a passionate plot that weaves the issues feminine chastity. During the course of ancient times, the suitable activities for premarital sexual conduct with men where set by the title role of women. As seen in the Chinese poem “Zhongzi, Please,” readers can pinpoint the conservativeness of the female role. Furthermore, this role can be understood as fearful of the criticism that society (during that time period) has when a woman is seen with a man.
Stereotypical Femme Fatale as Depicted in Mary Elizabeth Braddon’s Lady Audley’s Secret The issue regarding how woman is portrayed in literary works such as novel, poetry, or drama has been becoming one of the most interesting topics to be discussed until today. Each work represents its period and how society in that period in seeing woman. Victorian literature has its own way in representing woman. Some of the stereotypical gender roles we can easily found in many Victorian literatures are the portrayal of women as the angel in the house and the fallen angel. The angel in the house is the perfect helpmate as it was presented in Charles Dickens' Agnes Wickfield (David Copperfield) or Esther Summerson (Bleak House).
As moths are seen as being silky and soft, yet vulnerable to touch, and also dangerously attracted to bright lights, this fits in well with Blanche’s character. We learn throughout the first few scenes of the play, that Blanche is very delicate and vulnerable, and seems doomed to be burnt to a crisp by the “bright lights” of New Orleans. In the common, simple place Elysian Fields is, Blanche seems very incongruous, and completely out of place. She is dressed incorrectly for the place she is in. Blanche’s body language also suggests an ambiguous manner- she sits completely upright very stiffly, with her shoulders slightly hunched and her legs pressed close together.
The woman in the advertisement is shown to be laughing and is wearing white satin, “In tautened white satin”. This gives the idea that the woman is unspoilt, pure and virginal. This image misleads the reader into thinking that the poster indicates that Prestatyn is unspoilt and pure. The illusion carriers on when Larkin describes the palm trees and the coast at Prestatyn. “…a hunk of coast, a hotel with palms”.
Although both women are powerful beings, one is greater than the other due to the differences between them on how they use their power: one is an over extravagant sex machine, and the other has unworldly beauty and grace. The fairy queen in Lanval knows full well that she is unimaginably beautiful, however rather than voicing it, she presents it and lets the minds of others be enthralled by her. When she first meets Lanval, she wears “a precious cloak of white ermine, /covered with purple alexandrine/ but her whole side was uncovered [along with], her face, her neck and her bosom” (De France lines 102-105) Just like that, Lanval can safely assume that she is wealthy and of noble birth just by the purple embroidery on her cloak. The openness of her attire permits his eyes to assess that she is extremely attractive. However, when she speaks to Lanval, she does not say that she is beautiful nor does she state how many lovers have fallen for her.
Descriptive Writing Katy Perry Katy Perry gave a highly-energetic performance that showed her bold personality. Katy’s striking and girly outfit perfectly matched her candy land themed performance. Her long, black, straight, silky hair accessorized with pink streaks was pulled back into a simple, yet elegant ponytail. Katy’s makeup made her look as sweet as honey. She accentuated her plump lips with pink lipstick and her high cheek bones with soft pink blush.
[."] After her first kiss, her eyes were so filled with love they didn’t see the pitfalls, twists, and turns ahead. The theme of the story is because love is blind, it can take you on a journey full of unexpected turns. Like Edie, Alice Kelling, Chris Watter’s fiancee, doesn’t recognize that her love life is falling apart. Her characterization seems of a high society type because of her nice clothes- “a pair of brown of brown [Ouch] and white checked slacks and a yellow top” (775).