Hart, P. R. and C. J. Lloyd, 'Lyons, Joseph Aloysius (Joe) (1879 - 1939)', Australian Dictionary of Biography, Volume 10, Melbourne University Press, 1986 7. Hughes, William M. Bond or free : Sir Otto Niemeyers’ report, William Homer: Sydney, 1930. 8. Laing, J. T, The Turbulent Years, Alpha Books, 1970 9. Lowe, David, Riot Acts The History of Australia Rioting, ICS & Associates Pty Ltd, Sydney 1993 10.
Sage Publications. Accessed August 13th from http://cjb.sagepub.com.ezproxy.csu.edu.au/content/28/3/367.full.pdf+html Payne, J. (2007) Recividism in Australia: Findings and Future Research Research and Public Policy Series No. 80. Australian Institute of Criminology.
Retrieved September 2014, from The Conversation: http://theconversation.com/reconciliation-or-r-cup-ration-indigenous-soldiers-in-wwi-29539 Red Apple Education Ltd. (2014). Australia and World War I; Different Perspectives of War; Indigenous People. Retrieved September 2014, from Skiwrk.com.au-Interactive Schooling: http://www.skwirk.com/p-c_s-14_u-42_t-49_c-147/indigenous-people/nsw/history/australia-and-world-war-i/different-perspectives-of-the-war?_sm_au_=isVk8FFnjLJvZFsR The Advertiser (Adelaide, SA : 1889-1931). (1916, April 29). The Advertiser (Adelaide, SA : 1889-1931).
She is a campaigner for the rights of Indigenous Australians and South Sea Islanders. Bandler is best known for her leadership in the campaign for the 1967 referendum on Aboriginal Australians. Bandler is a native of Tumbulgum, New South Wales. A 1993 portrait of Bandler, by artist Margaret Woodward, is held by the State Library of New South Wales. Faith Bandler * Reproaches the Australian community for moving too slowly towards true reconciliation and racial equality after the quick progress made in the 1960’s.
1986. Australian dictionary of bibliography. [ONLINE] Available at: http://adb.anu.edu.au/biography/lawson-henry-7118. [Accessed 23 March 14]. * Semmler, Clement .
The “Native title Act” established new laws in allowing the jurisdiction of the Federal Court of Australia to hear and undertake claims and applications that revolve around native title. The Wik Decisions was also an important pastoral lease that was released as a result to the Mabo decision in 1996. Pastoral leases are a form of land tenure that was created by the British prior to the squatters in the 1830’s to 1840’s. In the Wik Case, the governments posed questions referring towards native title in that a grant of pastoral lease was in relation towards it. In conclusion the High Court established that native title should be wiped out from pastoral leases.
AUSTRALIA’S BLACK LEGAL HISTORY Formally representing King George III’s prerogative power, Captain Cook’s symbolic claiming of Australia for Britain on January 26 1788 interrupted a 40,000 year land use tradition that had existed under a grundnorm quite alien to that which Australian Aboriginals were to be subjugated. THE PREROGATIVE POWERS AVAILABLE TO GEORGE III IN 1788 English law assigns powers to acquire new territory to the Crown as part of its prerogative.” As the Crown has discretion to determine the extent of its dominions, it is informative to consider its intentions concerning territorial acquisition. King George III’s exercise of his prerogative powers between 1788 and 1823 become a crucial factor affecting New South Wales Aboriginal inhabitants. Disputes concerning whether Australia would become a settled or conquered colony were determined by the exercise of prerogative powers relating to the conduct of foreign affairs, and as such, were unchallengeable by the courts , providing the Crown an opportunity to play a pivotal role in determining territorial acquisition. Much of the unease expressed in the cases following stem from use of this prerogative and
EMU DREAMING by Raymond Walters Japanangka Raymond Walters Japanangka was born in Alice Springs on November in 1975.His country is Yeulumu (Mt Allen), Boundary Bore (Utopia). Raymond was influenced by art from an early age and his talents were nurtured by the artistic abilities of his extended family members. In his artworks he looks to share the origin of his inheritance, his cultural knowledge passed down through generations, the story of his life and his hopes for the future of his people. Whilst Raymond has painted this particular artwork many times, using different colours and sizes, each one depicts the feathers of the front breast of an adult Emu. This particular piece uses a variation of bright colours to create texture and power to the image of the Emu feathers.
Tessa Davis English 1001 TR Dr. Pat MacEnulty 17 October 2011 A Family at Home Through a Painting It’s hard not to admire the Romare Bearden exhibition. His style of the 1930’s in each work of art sticks in the viewer’s head. The paintings can suck the viewers into the social issues that he creates by a stroke of a brush or maybe using his collage techniques. He defines himself as an artist by creating visual recollections of the south drawn from both memories and stories passed from generations. He could easily be defined as an adventurous painter.
From: Ivan Tabal To: Loretta Iffland On: Friday, August 30, 2013 During: Period 4, Day 5 Australian Identity The Australian Identity is constantly on a state of evolution. In particular, the diversity of ethnic groups has led to Australia's multicultural society, breaking the barriers of what used to be known as a 'white colony'. This is appropriated through Komninos Zervos' poem 'Noboby Calls Me a Wog, Anymore' and Dorothy MacKellar's 'My Country', along with Duncan MacGregor's 'National Insecurity', elucidates the notion of multiculturalism through the characterization of the writers' individual experiences with being Australian. Through racism and inequality, Komninos expresses his identity through his poem "Nobody calls me