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FRITZ FLEMMING – 60 ÜBUNGSSTÜCKE FÜR OBOE (1929) ......................................... 32 9. FERDINAND CAPELLE – 20 GRANDES ÉTUDES D’APRÈS SIVORI, A. CHARPENTIER, RODE, FIORILLO (1943)............................................................................ 37 10. EUGÈNE BOZZA – 18 ÉTUDES POUR HAUTBOIS (1950) ...............................................
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42-56 Topics: Using Memoir p. 42 Chapter 5 pp. 63-76 Topics: Using Profile p. 63 Chapter 6 pp. 84-99 Topics: The purpose of vivid detail and figurative language pp. 93-94 The purpose of review p. 84 Chapter 8 pp. 143-161 Topics: The purpose of a rhetorical analysis p.
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This section is based upon the repeated quaver motif taken from bar 45 with the motif played only in the string section (bars 138-140). A descending Eb major scale is played in bar 143 to end the 2nd section and take us into the 3rd section of the development. The 3rd section (bar 144-160) features another