Sculpture Analysis

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Sculpture Analysis The sculpture Hopi Katsina: the Great Hunter is made out of Cottonwood, yarn, toothpicks, feathers, leather, and cat whiskers. It stands at a height up about 2 ½ feet tall on a square block pedestal. The artist had managed to acquire quite a bit of meaning into the sculpture. Manuel Garcia is the magnificent artist who had created the sculpture resembling the Katsina Figurine. Garcia uses many methods in this sculpture that are as follows: dimensionality, method of execution, composition, scales mass, and line of the work. All of these topics will be discussed through this analysis. Garcia uses full-round dimensionality in the Katsina sculpture. The sculpture is 3 dimensional and can be viewed from any angle. The sculpture sits on a table top or pedestal and is roughly 2 ½ feet tall. Full-round dimensionality is a great way to do a sculpture because you allow your audience to view it from any angle they want or like to really capture the real meaning and understanding behind the artist work. Garcia used two different methods of execution in this sculpture. First was the method of subtraction. This method is solely how the sculpture came about. Garcia carved the Kasina from a block of cottonwood until he got the shape and size he was looking for. At the bottom he left a square block as if it is a pedestal for Katsina to stand on. The second method that Garcia had used was construction, a method used by many sculptures. This method is when the artist takes scraps or leftovers from other materials or projects and puts them on their sculpture. The Katsina is constructed of many different objects that make it become a whole and to look just as Garcia had planned. Some of the objects used were cat whiskers, feathers, yarn, toothpicks, and leather. Katsina has some great composition that Garcia expresses very adequately.

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