Performative Acts and Gender Constitution: an Essay in Phenomenology and Feminist Theory by Judith Butler

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Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory by Judith Butler Judith Butler argues that gender identity is a performative achievement is constrained by social sanction and taboo. She defined performative as an act by the very fact of it happening, such as the act of promising by saying “I promise”. She explained that the body is what gender is authorized from; in other words, gender is not the starting place, it is identity being repeatedly constructed through time due to the body’s construction. That gender does not come first, instead, it is created by the performance act. Gender is forced in opposition because the existence of the agency has constructed the binary gender system as definite. It seems that gender is not as clear-cut as it appears, so there is the possibility of having a different repetition act that would eventually come up with a different gender. Butler (1997) states that, “in very character as performative resides the possibility of contesting reified status”. Though, she mentioned that there are restrictions because there is discouragement for when someone does not meet the social expectations and taboos that it gives a limitation on gender, which leads to chastise. That there are hidden threats upon everyone to perform with the gender that were assigned to each individual. Butler illustrates the idea of theater acting to performative act. The difference between the two is that, actors know when they are acting versus, we, the people do not realize our gender performances. Gender is natural and naturalized and that any gender is an historical situation and a construction, not a natural fact. She is against the way of thinking that gender is a coming of an internal essence or predetermined structure. She argues that gender is not concrete; it is a “social fiction” that is still
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