Odysseus And Rdquo Analysis

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During Odysseus’s journey back to his home from the Trojan War he lands on the island of the Cyclopes. Odysseus takes this opportunity to find supplies not knowing the danger of the giants that live on the island. He takes a party of twelve men. On their search they find and enter a large cave, which happens to be the home of a Cyclops named Polyphemus. Polyphemus returns home with his sheep and finds Odysseus and his men; he blocks the caves entrance with a stone, trapping them inside. Polyphemus begins to stomp and eat the men for his dinner. Trapped over night with the giant he eats more men for breakfast. Odysseus comes up with a plan for escape before they are all eaten. When Polyphemus returns from herding his sheep that day he…show more content…
Dating about 650 BCE. This is a vessel that was not used for everyday activities and could have been used for burial. It is a clay pot made in the black figure style. The object was obviously of significant religious value and was probably displayed somewhere in the home so all could see it. The artist has used strong geometric patterns to fill in the negative spaces behind the abstracted figures of Odysseus and his men. The story is shown at its climax when Odysseus blinds Polyphemus. Odysseus being a hero is painted in white slip so that when fired the pot would be white only on his figure. The composition is very simple. The figures are all vertical with their arms raised holding the spear that comes in at a slight angle drawing attention to Polyphemus’s eye. Polyphemus dominates the space because he is the subject of the story, his face has a look of surprise on it because he is about to loose his eye, and Odysseus and his men are smiling because they have found a way out of this mess that they are in. There is a small amount of negative space around the figures and this seems to be intentional because the rest of the pottery is covered in geometric patterns. This negative space allows our eyes to rest and brings our attention back to the figures in the

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