Marilynne Robinson's Novel Housekeeping

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Marilynne Robinson’s novel Housekeeping Introduction In this paper, it will be discussed Marilynne Robinson’s novel Housekeeping, and a literary criticism relying on secondary sources to explore the work of this novelist. Housekeeping is the story of Ruth and Lucille, two sisters who, after their mother's suicide, cared for by a succession of female relatives, finally and most unconventionally by their mother's youngest sister, Sylvie, a wanderer who returns home to attend to her nieces with a peculiar notion of housekeeping. Sylvie's unorthodox mothering--fanciful, impractical clothes; late-night suppers in the dark; a house overrun with newspapers, small animals, and leaves--inspires the conventional Lucille to abandon aunt and sister for a more traditional life with the Home Economics teacher and eventually induces the townspeople to attempt to remove Ruthie from her aunt's iconoclastic care. It is the threat of separation that forces the pair across the bridge. "It is a terrible thing to break up a family," Ruthie offers as an explanation for their flight from civilization; her statement is as well Robinson's articulation of her deviation from the myth of the unencumbered American hero. Her female hero is extremely much entangled with history, ancestry, the inheritances of family and race; she is an individual standing, not alone, but together, with an aunt who is also mother and sister, and with whom she affirms the bonds of family. Critical Analysis Housekeeping is a complex, often amorphous novel about appearance and reality, mutability, and memory and the past. It lends itself to--and has yielded--a variety of critical explications, ranging from Thomas Foster's reading of it as a representation of Julia Kristeva's theory of women's time, to Elizabeth Meese's reconstruction of the novel as Robinson's attempt to explore the creation of an individual
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