Harrison Bergeron and Welcome to the Monkey House

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Perhaps the two most famous works of short fiction by the acclaimed science fiction writer Kurt Vonnegut, Harrison Bergeron and Welcome to the Monkey House also share a number of thematic concerns. In addition, both stories have been widely misinterpreted in a way that is inconsistent with the intentions of their author and with Vonnegut’s work as a whole. Such misinterpretations mirror those simplistic readings of other dystopian works such as George Orwell’s 1984 and Ray Bradbury’s Fahrenheit 451. Harrison Bergeron portrays a future where “everyone is equal” in a way that is strikingly literal. Athletic people are forced to have their bodies weighed down, beautiful people are forced to cover up and smart people have their thoughts interrupted periodically with large blasts of noise. The title character is a “superman” who is so exceptional that he cannot be properly handicapped by the government. He is jailed, but escapes and attempts to interrupt a government television broadcast before being shot dead in a comical fashion. The entire narrative of the story unfolds around Harrison’s parents, who watch the story unfold via their television set. Welcome to the Monkey House portrays a future where over population is a major problem. In order to keep the population under control the government makes citizens take pills that make them completely numb from the waist down. In addition, the government encourages older citizens to end their lives through “ethical suicide”. The story follows Nancy, an ethical suicide parlor hostess who has been targeted by Billy the Poet, a protestor against the government who kidnaps hostesses, such as Nancy, and rapes them. This article will analyze both stories, contrasting how both deal with dystopian scenarios and the common themes and style of these stories. Both of these stories have widely been interpreted as supporting a

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