An Essay On Free Verse Poetry

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A comparison between two short poems written in the same verse form, showing how different effects may be produced in the same form. An often polarising verse form in the poetry world, free verse can be characterised by two contrasting quotes, “I’d just as soon play tennis with the net down,” said by Robert Frost or T.S. Eliot’s insistence on the fact that, “No verse is free for the man who wants to do a good job.” Whilst free verse is not a strict formal verse form, it allows the poet in question to manipulate the poem and therefore its effects to their own desires, the lack of a net simply means that there are now different rules. “The Hollow Men” by the aforementioned poet T.S. Eliot and “Beat! Beat! Drums!” by Walt Whitman are two primary examples of free verse poems written by two different pioneers of the genre, therefore the effects produced by free verse are beautifully contrasted between the above-named poems. Although not credited with being its creator, Walt Whitman is regarded as the father of free verse poetry. This genre adhered to his philosophy and also the time at which he was writing, a time at which the USA revelled in individualism with a breaking away from European attitudes that had governed it throughout the previous century. Thus, Whitman felt he too should break away from these European ideals with this abandonment represented in his writing and especially prominent in “Beat! Beat! Drums!”. A compelling element of Whitman’s poem is its rhythm, distinguished by as the title suggests, the beat of drums coupled with the rhythmic cadence throughout the poem that is suggestive of an army on the march. A notable line in stanza one is emblematic of this suggestion: “Through the windows-through doors-burst like a ruthless force..” Written in 1867 in post-civil war USA, the content of this poem is dictated by this war and perhaps Whitman’s
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