Neither understands having though, passion, feeling, or emotion in life. The Myth of Sisyphus helps explain some of the meaning of some of the events taking place in The Stranger. In The Stranger the main character Meursault takes life for granted in a way of not enjoying it. He seems more satisfied with the usual as if no excitement lives in his life. The death of his mother doesn’t even bother him so show sadness.
“Gothic and Romanticism” – David Punter Frankenstein: The Modern Prometheus and a Monster’s inevitable doom In Mary Shelley’s novel Frankenstein, it appears that Shelley attempts to draw an important analogy between the lone genius Prometheus, the archetypal seeker after forbidden wisdom, and her own protagonist Victor Frankenstein, who also dares to transgress boundaries in order to create life. Thus the subtitle The Modern Prometheus. However, it is crucial to note the invariable difference between both old and modern Prometheus. Whereas old Prometheus suffers alone for his sin, in the case of Shelley’s Prometheus, Frankenstein, the monster involuntarily partakes in the sin, by being its final product, and therefore has to suffer too. To the reader, it seems that Shelly consistently reminds us of the lack of responsibility on the part of Frankenstein, and the monster’s inherent innocence, who is only made evil by his circumstances.
At first glance Harold and Maude both are strikingly different characters, They both have extensively varied lifestyles,complete and utterly different types of personalities, and outrageous hobbies. Take a step closer however and you will soon realize they share one of the most important qualities, life. Maude celebrates death as a grand finale, to all her collection of stories, while Harold relishes in the destruction of life, by acting out his own suicides. Harold and Maude may share this quality, but they each celebrate life in their own unique way, through death. Harold is the personification of the word,strange.
‘Piggy was dead and the conch smashed to powder’ enforces that Piggy represented the need for science and intellectual endeavour in society so the break of both of these symbols at the same time shows a sudden corruption of civilisation. Loss of hope: The rules that hold together a civilised society can easily break down due lack of hope. Golding’s novel of lord of the Flies explores the complexity of hope in keeping citizens committed to the chosen path. When hope is lost, savagery ensues. Golding portrays this through symbolism.
He then sits quietly and hopes the two men won’t see the connection between him and his wife, and that is also the reason for him not saying goodbye to his wife. It almost seems like he acquires the point of view the two unidentified men have. The troubles of Doreen and Earl’s relationship are also made clear by this fact, because this clearly shows that if he hasn’t noticed the extra pounds, then he obviously haven’t been looking. Earl has been living his life completely blind and detached, so detached that he has no visible love for his wife. When he finally wakes up and sees his wife for what she really is, he sees her through the eyes of two strangers.
If, for example, R. M. Rilke, the famous Austrian poet, Kafka's contemporary, was negative to the city, condemning him destructive influence on the person, but saw rescue in harmony of the person good luck and the Universe, Kafka didn't see such rescue in general. In his opinion, the person is doomed to loneliness, sufferings and torments which are the only reality and make all maintenance of his life. Kafka deeply suffered from things, ordinary for other people, for example from need daily to go to service, and dreamed only of one:
The protagonist of The Outsider, Meursault, is estranged because he does not fit into the social norm. At the news of his mother’s demise, Meursault does not feel the agony that normal people do when hearing their parents’ deaths. His lack of emotion is further evinced by his sending his mother to the Senior’s House. In Meursault’s psyche, he feels that his mother is a burden to him. He thinks that the Senior House is a better choice for the both of them as his mother would be happier there.
Everyman realizes that the goods he has loved his whole life do nothing but hinder his eternal happiness. His reliance on people and goods has left Everyman's soul in a precarious condition. The shepherds’ lives are similar to Everyman's, because they too devote their time to worldly concerns. By fixating on their material well being, they follow the same path as Everyman, the path away from salvation. At the beginning of The Second Shepherds' Play all three shepherds, Coll, Gib, and Daw, seek to relieve their pain by complaining.
Steinbeck achieves these two feats by creating a protagonist who earns the reader’s sympathy because of his utter helplessness in the face of the events that unfold. Lennie is totally defenseless. He cannot avoid the dangers presented by Curley, Curley’s wife, or the world at large. His innocence raises him to a standard of pure goodness that is more poetic and literary than realistic. His enthusiasm for the vision of their future farm
Seymour is in a loveless marriage to his wife Muriel. He cannot connect with her, due to the fact that she is more interested in herself, than her own husband while on their vacation. Muriel’s family is concerned with Seymour’s behavior, and fears for their daughter’s safety. Seymour is so detached from the world he lives in, that he takes the ultimate escape, suicide. The fact that Muriel has no concern for her husband’s mental health, and continues her disconnected communication with him, further explains the idea that isolation is destructive in society, and causes and individual to an unthinkable escape.