Don Pedro’s loyalty towards his friend Claudio has portrayed him as an insensitive character regarding his comments about Hero. Don Pedro is so quick to believe that he has been “dishonour’d” by Hero that he clearly overlooks the fact that his villainous brother Don John, who has in fact lied before, is simply tricking him again. Some may regard Don Pedro as being loyal and trying to give what is best for his friend, but most think that Don Pedro’s actions portray him as an insensitive character who jumps to conclusions rather quickly. So once again, Don Pedro’s intention of trying to help do what is best for his friend, is
Creon shows hubris because he asks this to Teiresias because he is king and has excessive pride. He believes that because he is king and believes that he can’t be talked to a certain way. Creon is the tragic hero because he displays hubris in the play. Anagnorisis is when the tragic hero realizes his or her mistake. Capturing Antigone and not letting her burry Polynices was a mistake that Creon had made.
A Hapless Hero Arthur Miller demonstrated in Death of a Salesman that tragic heroism still possible in the modern world, but the tragic hero or tragic heroine should be of noble birth or hold an important social position, be basically virtuous, and desire to do good. However, Wily Loman is not a tragic hero because he is hapless rather than heroic, his personal tragedy that comes from his lack in ability to admit his errors and learn from them. Instead, he fits Miller's description of the pathetic character, one who "by virtue of his witlessness, his insensitivity, or the very air he gives off, is incapable of grappling with a much superior force," (Miller1). The definition of a tragic hero is a condition of life that allows an individual to find the route of self-realization and discover to the fullest extent of his or her capabilities. This insight only occurs when an individual bravely endure the "total examination of the 'unchangeable' environment" (Miller1).
Reasonable Eccentric Behavior of Dorian Gray . In the book, The Picture of Dorian Gray, Dorian Gray is a handsome and proper man, but on the inside he is full of madness, guilt and misery. Initially he’s a melodramatic and petulant young man , but after realizing his true morals –his life skews toward the futile side. Instead of fixing his life, he lives for the pursuit of pleasure which makes him indifferent. Although his actions are very insane, they can be seen as rational to reader considering hedonism.
According to Aristotle, a tragic hero must be a character of noble stature and greatness while embodying nobility as an inner virtue. Next, while tragic heroes are great, they are never perfect and always posses character flaws to make them more relatable to the masses. Continuing, a tragic hero’s fall from power is the fault of the hero; the result of free choice usually attributed to the heroes imperfection. Next, A hero’s actions result in an increase of self- awareness and self-knowledge. Finally, the fate of a tragic hero does not leave the audience in a state of depression, but draws solemn emotions of pity and sympathy.
A Real Tragic Hero: John Proctor In Arthur Miller’s The Crucible, John Proctor fits the definition of a tragic hero. Although he has a human weakness, Proctor’s strong conviction, quest for truth, and insightfulness make him a tragic hero. Courage is not the absence of fear, rather it is the judgement that something else is more important than fear. In Arthur Miller’s The Crucible, many characters have decided whether they should confess to dealing with the devil and lose their “good name” or be hanged for something they did not do. A tragic hero is someone of noble birth with heroic qualities, but the hero struggles mightly against this fate and this cosmic conflict wins our admiration.
Shakespeare portrays Brutus as a noble and honourable man, who is much loved by the people and senate. Brutus does not join the conspirators for personal reasons but rather for the benefit of Rome as he says “I know …question” (act,2,sc1.11:13) proves he fears for Caesar might become when in complete power. Which is further emphasised by “That lowliness is young ambitious ladder” (act,2,sc1.322) so Brutus is afraid for his countrymen. Brutus’ nobility and honour are further stamped by Ligarius who refers to Brutus as “Brave son, deriv’d from honourable loins” (act,2,sc,1.322) which shows what high position and regards people hold of the noble Brutus. Before Act3 Scene 2 Mark Anthony seems like a bit of a coward and Caesar’s puppet, he lacks confidence as he seems to always agree with Caesar and gives the impression that he doesn’t take life seriously, loves partying and envoy’s the company of women.
Othello: A Tragic Hero Othello is the epitome of a tragic hero. He starts out as a rather respectable and rational General, but was eventually consumed by jealousy and anger. A tragic hero must start out high in power and have tragic flaws that lead him to ultimately a tragedy. Othello’s tragic flaw is that he is easily manipulated, leading him to trust the wrong people. The play begins by showing the readers that Othello is a noble General.
Tragic heroes are, generally, the main character of a tragedy. Tragic heroes often error in their own actions and judgments of others leading them to their ultimate downfall, which commonly ends in their own death. Aristotle defines a tragic hero as, “a man of noble stature. He is not an ordinary man, but a man with outstanding quality and greatness about him” (Aristotle). In order to be a tragic hero, the audience must be able to understand the character, and to feel pity and fear for him.
Delusions of Grandeur – An Expository Essay Death of a Salesman Willy Loman’s greatest weakness – and the reason of his unhappiness lie in the facade he has created within himself. Without a father figure to instill reason in him and leave a legacy of any kind, he fixates himself upon the only character that will leave him a lasting impression – his enigmatic brother Ben. As a result, the ideals imbued in young Willy – money, recognition, and ambition, lead him to accept a warped version of The American Dream: the belief that being well-liked and respected warrant success. However, when he fails to sell these values to his young son Biff, he discovers just how disparate dreams and reality are, and brings down his entire family along with himself. Willy’s beliefs and actions stem from his fear of being alone.