The Awakening and Song of Solomon

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Aaron B PPSA: The Awakening and Song of Solomon The ending passage of The Awakening by Kate Chopin is written in a resigned tone, in contrast to the ending passage of Song of Solomon by Toni Morrison, which is written in an elated tone. The ending of The Awakening—Edna's apparent suicide as she finally realizes she cannot live as an independent woman in late 19th century society—reflects Chopin's feminist feelings, and it represents her conviction that women were confined by the norms of society. The ending of Song of Solomon—Milkman's ambiguous leap to either his death or to “flight”—reflects Morrison's feelings that life or death is unimportant so long as one succeeds in his/her quest for self-discovery. Chopin uses formal, abstract diction in The Awakening, while Morrison uses informal, colloquial diction in Song of Solomon. In the passage from The Awakening, Chopin uses formal, abstract words such as “sensuous” (133), “traversed” (133), and “despondency” (132). She does this in order to convey the feeling of the rigid society in which Edna was trapped, and the feeling of despair and confusion Edna experiences as she enters the sea. By doing this, she is able convey a negative tone, suggesting her feminist criticism of society's treatment of women. In the passage from Song of Solomon, Morrison uses African-American colloquial phrases such as “brother man” (362), and informal words and phrases such as “blow his brain's off” (362), and “wheeled” (362). She does this in order to show the Black culture that the novel centers on and to provide a realistic aspect to the plot. Also, by using words uplifting in connotation in the passage such as the verb “leaped,” (362) which conveys an optimistic feeling, Morrison expresses her hopeful, content attitude toward Milkman's final change in character. The two passages vary significantly in the level of formality of
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