She Has a Lovely Face": Feminism in "The Lady of Shalott

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Marcela Clark Dr. Ayres ENGL 216 – D05 LUO 15 December 2013 “She Has a Lovely Face”: Feminism in “The Lady of Shalott” To the innocent observer, the image of the Victorian woman is one of extravagantly poised beauty. She is hidden beneath a tightly laced corset, a high neckline, and many layers of crinoline and heavy fabric. She passionately and sacrificially complements her husband and submissively fulfills her domestic role as mother and manager of the household, never her husband’s competitor. Her humility, innocence, and contentment with her social position are her highest virtues. As the nation of England moved swiftly toward industrialization, however, many single and married women were forced to work to help provide for their families. This redefinition of labor promoted much controversy throughout the Victorian era. Women began demanding greater freedom in public settings and less division between femininity and masculinity. For Lord Alfred Tennyson, who lived from 1809 to 1892, during the heart of the Victorian feminist movement, the gender role controversy was worth discussing through poetry. Written in 1832 and published in final form in 1842, Tennyson’s alluring poem, The “Lady of Shalott,” describes, in symbolic detail, the issue of feminism. Through its graphically somber description of a woman’s solitary confinement, inescapable identity, and inner longing for freedom, Lord Alfred Tennyson’s “The Lady of Shalott” is an elaborate illustration of feminism, particularly that of the Victorian era, in its most raw and accurate form. Tennyson begins his poem by describing the vibrantly ravishing island of Shalott. This island is the epitome of beauty, for, according to Tennyson, “On either side the river lie / Long fields of barley and of rye, / That clothe the wold and meet the sky” (3). The dynamic attractiveness of the island contrasts
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