Role of Gender in Macbeth, The Crucible, The Maltese Falcon, and The Sun Also Rises

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Since Adam and Eve there has been man and woman, and since then there has been conflict over gender roles. Over time many perceptions about gender roles have been born. These perceptions can aid individuals, but in the case of the characters in Macbeth by William Shakespeare, The Crucible by Arthur Miller, The Maltese Falcon by Dashiell Hammett, and The Sun Also Rises by Ernest Hemmingway, these perceptions are devastating. These men fall victim to the perceptions of their gender and the women in their lives. The perception of gender roles and the pressure to live up to these are used to manipulate the characters and lead to their eventual downfall. Macbeth allows himself to be controlled by both the witches and Lady Macbeth. After being influenced by the three witches and Lady Macbeth to kill Duncan, Macbeth feels remorse. Lady Macbeth seeing this mocks Macbeth and says, “What beast was’t, then / That made you durst do it, then you were a man; / And to be more than what you were, you would / Be so much more the man” (Shakespeare I.vii. 47-51). Lady Macbeth questions Macbeth’s manhood and insults him for showing qualities of a female. Because of Macbeth’s inability to display characteristics of a man Lady Macbeth has to display these characteristics. By displaying these characteristics she becomes similar to the three witches. Lady Macbeth’s influence over Macbeth is very similar to the witches, “Lady Macbeth's power as a female temptress allies her in a general way with the witches as soon as we see her. The specifics of that implied alliance begin to emerge as she attempts to harden herself in preparation for hardening her husband” (Adelman). Both the witches and Lady Macbeth demonstrate complete control over Macbeth. By attacking and questioning Macbeth’s manhood Lady Macbeth illustrates her power over him, “The fears of female coercion, female

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