Religion and Spirituality in the Awakening

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Religion and Spirituality in The Awakening Awakenings are, in many cases, associated with a sort of religious revival, but in the case of The Awakening, Kate Chopin seems to have been trying to redefine the term ‘awakening’ in that there was no religious enlightenment of any sort. On the contrary, her writing indicates that she thought of religion as society’s tool for “oppression” (Chapter XIII). Every time that religion is mentioned or alluded to, Edna Pontellier seems to be running away from it, trying to break free. “Likely as not it was Sunday,” she laughed; ‘and I was running away from prayers, from the Presbyterian service, read in a spirit of gloom by my father that chills me yet to think of.' 'And have you been running away from prayers ever since, ma chere?’ asked Madame Ratignolle, amused” (Chapter VII). Throughout the novel, Chopin refers to religion as something analogous to death. This most probably is representative of her loss of freedom, or a symbolic “death” of her life as an individual. Such is most obvious in the frequent appearance of the lady in black and the passionate lovers. Seeing the plot as a whole, the three characters seem to not have a role or purpose in the development of the story. Therefore, it would be appropriate to assume that they have a sort of symbolic value. The lady in black initially appears when a satisfied Mr. Pontellier is surveying the cottages and along with a variety of niceties, he notices “a lady in black…walking demurely up and down, telling her beads” (Chapter I). The woman’s religiousness seems to appease Mr. Pontellier, someone who is characteristic of the oppressiveness that Edna is running away from. Following this initial appearance, the lady in black always accompanies the lovers, symbolic of how, regardless of the effort one puts into attaining freedom (in this case a freedom for romance),

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