Plath and Larkin

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Compare and contrast ‘Daddy’ by Sylvia Plath with ‘Reference back’ by Philip Larkin’ By Elliott Fletcher Daddy by Plath and Reference back by Larkin both explore the dysfunctional relationship between parent and child by having numerous similarities and comparisons in common, but both being wholly different. Daddy leaves the reader disturbed whereas reference back leaves the reading with a feeling of mixed emotions. Daddy, comprised of sixteen five-line stanzas is a brutal and venomous poem believed to be about Plath’s deceased father, Otto. Reference back is a poem based upon Larkin’s mother. After his father died, he would regularly go and visit her. In daddy the sense of contradiction is apparent in the rhyme scheme and organisation. It uses a nursery rhyme scheme, singsong way of speaking. There are hard sounds, short lines and repeated rhymes (“Jew”, “through”, “do” and “you”) this also establishes and reinforces the childlike and childish figure in relation to her fascist father. Additionally, the unstable relationship perhaps, has reduced Plath to a childish mental state, which elicits throughout. This relationship is also demonstrated via the mode of address she uses for him “daddy” and through her use of oo sounds. However, this childish rhythm has an ironic, sinister feel, since the chant-like primitive quality can also be construed as a curse, also denoting that the childish aspects have a crucial, protective quality as oppose to an innocent one. In reference back, although the poem is still perceived as a childlike perspective via the repetition of rhymes (such as “how” now” “who” “blew”) the rhyme scheme is much more regular in pattern, which suggests his collected mental state; He is bored as he played the song “idly” which indicates his reluctance to be there, but lacks any vengeances towards his mother, unlike in daddy, where she is rapidly
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